Laura Tunbridge Schumann's Late Style

ISBN 13: 9780521121507

Schumann's Late Style

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9780521121507: Schumann's Late Style

Schumann's Late Style is devoted to the study of Robert Schumann's little-known music from the 1850s. The reason most often given for these works having been considered lesser achievements than the earlier song and piano cycles is that Schumann's mental illness had a detrimental effect on his compositions. However, this study demonstrates that there were several other, still more complex, reasons why the music from the 1850s sounded different. Schumann had started to compose 'in a new manner', depending more on preliminary sketches; he also began to write for larger forces (orchestra and chorus), which required a more 'public' style of music, as is also apparent in his works on nationalist themes, and in his more commercial pieces for children. This book thus attempts to disentangle assumptions about Schumann's late style from biographical interpretations, and to consider it in broader artistic, social and cultural contexts.

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Book Description:

Schumann's Late Style is devoted to the study of Robert Schumann's little-known music from the 1850s. It considers our assumptions about the quality of his music in this period, its poetic and formal qualities, and its relationship to the composer's biography.

About the Author:

Laura Tunbridge is Lecturer in Music Analysis and Critical Theory at the University of Manchester.

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2009. Paperback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****.Schumann s Late Style is devoted to the study of Robert Schumann s little-known music from the 1850s. The reason most often given for these works having been considered lesser achievements than the earlier song and piano cycles is that Schumann s mental illness had a detrimental effect on his compositions. However, this study demonstrates that there were several other, still more complex, reasons why the music from the 1850s sounded different. Schumann had started to compose in a new manner , depending more on preliminary sketches; he also began to write for larger forces (orchestra and chorus), which required a more public style of music, as is also apparent in his works on nationalist themes, and in his more commercial pieces for children. This book thus attempts to disentangle assumptions about Schumann s late style from biographical interpretations, and to consider it in broader artistic, social and cultural contexts. Bookseller Inventory # AAV9780521121507

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Book Description CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2009. Paperback. Book Condition: New. Language: English . Brand New Book ***** Print on Demand *****. Schumann s Late Style is devoted to the study of Robert Schumann s little-known music from the 1850s. The reason most often given for these works having been considered lesser achievements than the earlier song and piano cycles is that Schumann s mental illness had a detrimental effect on his compositions. However, this study demonstrates that there were several other, still more complex, reasons why the music from the 1850s sounded different. Schumann had started to compose in a new manner , depending more on preliminary sketches; he also began to write for larger forces (orchestra and chorus), which required a more public style of music, as is also apparent in his works on nationalist themes, and in his more commercial pieces for children. This book thus attempts to disentangle assumptions about Schumann s late style from biographical interpretations, and to consider it in broader artistic, social and cultural contexts. Bookseller Inventory # AAV9780521121507

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Book Description Cambridge University Press. Paperback. Book Condition: New. Paperback. 260 pages. Dimensions: 9.4in. x 6.7in. x 1.0in.Schumanns Late Style is devoted to the study of Robert Schumanns little-known music from the 1850s. The reason most often given for these works having been considered lesser achievements than the earlier song and piano cycles is that Schumanns mental illness had a detrimental effect on his compositions. However, this study demonstrates that there were several other, still more complex, reasons why the music from the 1850s sounded different. Schumann had started to compose in a new manner, depending more on preliminary sketches; he also began to write for larger forces (orchestra and chorus), which required a more public style of music, as is also apparent in his works on nationalist themes, and in his more commercial pieces for children. This book thus attempts to disentangle assumptions about Schumanns late style from biographical interpretations, and to consider it in broader artistic, social and cultural contexts. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9780521121507

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