Items related to Redefining Black Film
Can films about black characters, produced by white filmmakers, be considered 'black films'? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has 'buried' the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films - defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks - ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the 'black-image' language of earlier studies - and at the same time redefines black film - makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.
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Review:
"Provocative and fearlessly ideological . . . destined to be cited, and disputed, by generations of film scholars to come."--"Library Journal
About the Author:
Mark A. Reid is Assistant Professor of English at the University of Florida, Gainesville. He has written extensively on black cinema.
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- PublisherMark A.Reid
- Publication date1993
- ISBN 10 0520078624
- ISBN 13 9780520078628
- BindingPaperback
- Rating
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