Fischinger was a true virtuoso who created complex animated patterns that develop dynamic rhythms, harmonies, and counterpoints. He played an important and influential role in the development of early abstraction in film during the interwar period, amid artistic movements such as Orphism (Kupka, Delaunay), Neo-Plasticism (Mondrian, Van Doesburg), Suprematism (Melevich), and Futurism (Marinetti, Boccioni).
In 1926 he began working with multiple-projector performances, creating some of the earliest cinematic immersive environments. The book examines his animation and painting, his use of music, his experiences in Hollywood, and his influence on today's filmmakers, artists, and animators, and features previously unpublished documents including essays by Fischinger himself."synopsis" may belong to another edition of this title.
"About this title" may belong to another edition of this title.
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Book Description Soft cover. Condition: New. No Jacket. 1st Edition. A study of Fischinger's experiments in Cinematic abstraction, color and relationships to sound. Seller Inventory # 202186