Set in Georgian London in 1760, a thrilling mystery follows private tutor Robert Fairfax as he tries to save the life of his wayward pupil Matthew Hemsley when he is wrongly accused of murdering Miss Lucy Dove, the toast of Covent Garden's stage. Original.
"synopsis" may belong to another edition of this title.
THE COMPLAINT OF THE DOVE has more than a charismatic protagonist. March has created a felicitously realised Georgian mystery, and setting a detective novel in the age of Moll Flanders is a masterstroke... THE DEVIL'S HIGHWAY is equally as exuberant (THE TIMES)
'THE COMPLAINT OF THE DOVE has more than a charismatic protagonist. March has created a felicitously realised Georgian mystery, and setting a detective novel in the age of Moll Flanders is a masterstroke... THE DEVIL'S HIGHWAY is equally as exuberant' The Times
'A clever and accomplished first novel...witty and convincing; for fans of period dramas such as Moll Flanders and Tom Jones, this will slip down like a cup of sherbet.' Scotland on Sunday
A clever and accomplished first novel...witty and convincing; for fans of period dramas such as Moll Flanders and Tom Jones, this will slip down like a cup of sherbet (Susie Maguire, SCOTLAND ON SUNDAY)
'A gloriously rich tale of London at its grandest and seamiest, well told, at a cracking pace.' Newcastle upon Tyne Evening Chronicle
Written well with a great deal of self-assurance. I liked the period detail and the characterisation of the large cast of suspects (Deryn Lake, SHOTS)
A gloriously rich tale of London at its grandest and seamiest, well told, at a cracking pace (NEWCASTLE EVENING CHRONICLE)
'Written well with a great deal of self-assurance. I liked the period detail and the characterisation of the large cast of suspects' Deryn Lake, Shots
Hannah March was born and brought up in Peterborough on the edge of the Fens and was a student on the University of East Anglia MA Course in Creative Writing under Malcolm Bradbury and Angela Carter.
"About this title" may belong to another edition of this title.
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