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Those who find James’ own abstruse sentences too impenetrable for their taste may fear that Lodge is aiming for a recreation of James' allusive 19th century style, but that's definitely not the case. When Lodge has James speak, it is, of course, exactly as we would expect the famous chronicler of suppressed emotion to speak – anything else would be a failure (Peter Ackroyd carried off a similar act of ventriloquism in The Lat Testament of Oscar Wilde), but the style of the novel is very much Lodge's own: humorous, sensitive to all aspects of human behaviour, rich in authentically recreated period detail. Needless to say, the effect is nothing like that of Lodge’s contemporary novels such as the wonderfulNice Work and Small World; for some, that will be a cause for disappointment, but for readers prepared to follow Lodge on this journey into another century, the rewards are considerable.
Author, Author begins with the Great Man’s death, surrounded by worried servants (struggling to cope with his growing irrationality); then we are shown his remarkable life, including his friendship with the affable Punch illustrator George Du Maurier. The literary success and the American ex-pat James’ social lionising by the cream of London society are strikingly conveyed, as is the man’s sexual repression. The most powerful passages involve James’ disastrous failure as a playwright, and this section crowns Lodge’s achievement. Lodge fans may prefer his customary style, but there are riches here. --Barry Forshaw
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Book Description Soft cover. Condition: New. NEW SOFTCOVER NEVER READ AND NO MARKS. Seller Inventory # L5943