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Long before the production began, Drazin tells us, there was already "an atmosphere of mutual suspicion" between the British producer Alexander Korda and his American partner David O Selznick, portrayed here as an archetypal crass movie mogul. In this tense atmosphere, matters were made still worse by problems on set, such as Orson Welles turning up days late for the shoot then refusing to film in the Viennese sewers. Drazin considers that critics are far too kind to Welles ("the greatest ham in the business"), believing that the praise belongs much more to director Carol Reed: "a man whose real genius lay in collaboration".
This revisionist stance proves typical of the author's compelling approach to his subject, as he interviews a number of previously unsung heroes, and provides a wealth of fascinating information about the production. An appropriate balance is generally struck between opinion and fact, although it occasionally strays too far into the former, as when Drazin analyses the influences acting upon writer Graham Greene. This speculation aside, the book provides an informative and lucidly written account, which ends on a high point as Drazin recounts his own visit to Vienna in 1998 and tells us the story behind The Third Man's famous final shot. --John Oates
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Book Description Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR001810726
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