All plays performed in England from 1737 to 1968 had to be approved by the Lord Chamberlain's office. Nicholas De Jongh gives a savage and often comic account of the state control between 1901 and 1968, that would censor anything that was too frank or outspoken.
"synopsis" may belong to another edition of this title.
'By far the best guide to the past 100 years [of the theatre]... not least because de Jongh has a case to argue and does so with polemical flair' Aleks Sierz, Independent on Sunday; 'A wonderfully waspish account of the Lord Chamberlain's censoring of the British stage in the twentieth century...You have to either laugh or cry at this extraordinary reminder of British sexual unease... that de Jongh here so splendidly explores' Sheridan Morley, Literary Review; 'An exhilarating read... De Jongh ranges over his subject with a sprightly sense of mischief, wit, and deadly serious intent' The Times
Nicholas de Jongh has been Chief Theatre Critic of the London Evening Standard since 1991, and was formerly Deputy Critic and Arts Correspondent at the Guardian.
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