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‘Ever since the publication of “The Corrections”, I have been looking around for another novelist who can match Jonathan Franzen’s dextrous inventiveness and capacity for close-up emotional engagement. After spending a pleasurable week in the company of “The King is Dead”, I am convinced that Jim Lewis is a writer of the same heavyweight stature as Franzen and David Foster Wallace. A short review can barely do justice to the artfulness and deep intelligence of this novel. Above all, Jim Lewis persuades you that a single reading of his work is not enough.’ Andrew Biswell, Scotland on Sunday
‘Full of kings dead and dying, lost fathers, doomed country singers, untrustworthy leaders, set mostly in the American South and incorporating such worlds as music, politics, baseball and the movies...this is a novel written and conceived as elegy; and Walter Selby, a decent man, is going to be ruined by passion. There’s an expansiveness here that is particularly American, [yet] “The King is Dead” creates a powerful narrative urgency as it approaches its end: you find you have to force yourself to read more slowly, not wanting the experience to end.’ David Flusfeder, Daily Telegraph
‘Similar to Richard Ford or Jonathan Franzen, with whom Lewis stands comparison...The result is a fine book, finely written.’ Daily Mail
‘A deceptively simple story – the best always are...sad, illuminating, songful and shivering with life.’ Time Out
‘The King is Dead is a marvelous book, and with it, Jim Lewis has come into full possession of a powerful literary voice whose main qualities are the hardest to come by: integrity, empathy, narrative allure, and wisdom. Lewis's moral intelligence purges his prose of every false move and cheap convention, burrowing ever closer to the truths about the pull and stain of heritage. This is a book of impeccable artistry, and yet it goes beyond that, becoming, in the end, like the songs of the nameless country singer who appears in its pages, songs that were 'neither art nor amusement, nor solace, nor democratic odes: they were facts, and they would be known.’
Jeffrey Eugenides, Pulitzer Prize-winning author of Middlesex
'The lives of Walter and Frank unspool into a powerful, decades-long meander through loss, alienation, identity, remembrance and forgiveness... Such a dramatic gesture gives us the willies, but: If you read only one work of fiction this summer, make it this eloquent meditation on the second half of the 20th century as reflected through the cracked prism of two flawed men, a banished father and his rootless son, each battered by secrets, impulse and circumstance.' Miami Herald
‘Jim Lewis is an accomplished and erudite writer who wears these qualities lightly... A rare talent.’ The Times
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