When John McPhee returned to the island of his ancestors—Colonsay, twenty-five miles west of the Scottish mainland—a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were “incomers.” Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.
When John McPhee returned to the island of his ancestors—Colonsay, twenty-five miles west of the Scottish mainland—a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were “incomers.” Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.
"synopsis" may belong to another edition of this title.
" McPhee brings to his book about the island of Colonsay in the Scottish Hebrides a visual precision and a grace of language that are quite rare." -- "Harper' s "
“McPhee brings to his book about the island of Colonsay in the Scottish Hebrides a visual precision and a grace of language that are quite rare.”—"Harper’s "
“A small masterpiece of penetrating warmth and perception.” --Charles Eliot, "Time""
"“One always has the sense with McPhee of a man at a pitch of pleasure in his work, a natural at it, finding out on behalf of the rest of us how some portion of the world works.” --Edward Hoagland, "The New York Times"
"McPhee brings to his book about the island of Colonsay in the Scottish Hebrides a visual precision and a grace of language that are quite rare."--"Harper's "
"A small masterpiece of penetrating warmth and perception." --Charles Eliot, "Time""
""One always has the sense with McPhee of a man at a pitch of pleasure in his work, a natural at it, finding out on behalf of the rest of us how some portion of the world works." --Edward Hoagland, "The New York Times"
McPhee brings to his book about the island of Colonsay in the Scottish Hebrides a visual precision and a grace of language that are quite rare. "Harper's"
A small masterpiece of penetrating warmth and perception. "Charles Eliot, Time"
One always has the sense with McPhee of a man at a pitch of pleasure in his work, a natural at it, finding out on behalf of the rest of us how some portion of the world works. "Edward Hoagland, The New York Times""
"McPhee brings to his book about the island of Colonsay in the Scottish Hebrides a visual precision and a grace of language that are quite rare." --Harper's
"A small masterpiece of penetrating warmth and perception." --Charles Eliot, Time
"One always has the sense with McPhee of a man at a pitch of pleasure in his work, a natural at it, finding out on behalf of the rest of us how some portion of the world works." --Edward Hoagland, The New York Times
John McPhee is the author of twenty-six books, including Annals of the Former World, for which he received the Pulitzer Prize in 1999. He has been a staff writer for The New Yorker since 1965 and lives in Princeton, New Jersey.
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