"The most consistently brilliant science fiction writer in the world".
--John Brunner
THE INSPIRATION FOR BLADERUNNER. . .
Do Androids Dream of Electric Sheep? was published in 1968. Grim and foreboding, even today it is a masterpiece ahead of its time.
By 2021, the World War had killed millions, driving entire species into extinction and sending mankind off-planet. Those who remained coveted any living creature, and for people who couldn't afford one, companies built incredibly realistic simulacrae: horses, birds, cats, sheep. . .
They even built humans.
Emigrees to Mars received androids so sophisticated it was impossible to tell them from true men or women. Fearful of the havoc these artificial humans could wreak, the government banned them from Earth. But when androids didn't want to be identified, they just blended in.
Rick Deckard was an officially sanctioned bounty hunter whose job was to find rogue androids, and to retire them. But cornered, androids tended to fight back, with deadly results.
"[Dick] sees all the sparkling and terrifying possibilities. . . that other authors shy away from".
--Paul Williams
Rolling Stone
"synopsis" may belong to another edition of this title.
Do Androids Dream of Electric Sheep? is a book that most people think they remember, and almost always get more or less wrong. Ridley Scott's film Blade Runner took a lot from it, and threw a lot away; wonderful in itself, it is a flash thriller where Dick's novel is a sober meditation. As we all know, bounty hunter Rick Deckard is stalking a group of androids returned from space with short life spans and murder on their minds--where Scott's Deckard was Harrison Ford, Dick's is a financially over-stretched municipal employee with bills to pay and a depressed wife. In a world where most animals have died, and pet-keeping is a social duty, he can only afford a robot imitation, unless he gets a big financial break. The genetically warped "chickenhead" John Isidore has visions of a tomb-world where entropy has finally won. And everyone plugs in to the spiritual agony of Mercer, whose sufferings for the sins of humanity are broadcast several times a day. Prefiguring the religious obsessions of Dick's last novels, this asks dark questions about identity and altruism. After all, is it right to kill the killers just because Mercer says so? -- Roz Kaveney
Praise for Philip K. Dick
"The most consistently brilliant science fiction writer in the world."--John Brunner
"A kind of pulp-fiction Kafka, a prophet."--The New York Times
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