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In part one, this crippled Gestalt is movingly brought together from the wreckage of members' past lives. Part two sees Lone replaced by the psychologically damaged Gerry, a murderer at age eight: he must, agonisingly, confront his reasons for killing the benefactor who cherished them as individuals but menaced the all-important group. (The twins can't eat with the white folks; Baby should go to a home...) Part three artfully echoes the previous sections' long healing of Lone's body and Gerry's mind, with the now-grown Janie defiantly rehabilitating an unfortunate victim of Gerry's misused talents. Although the Gestalt is now tremendously powerful, there's still one important factor missing.
"Does a superman have super-hunger, Gerry? Super-loneliness?"
Sturgeon wrote beautifully, from the famous opening--"The idiot lived in a black and grey world, punctuated by the white lightning of hunger and the flickering of fear."--through moments of great poignancy, and unexpected images, like a starved man seeing marmalade as stained glass. More Than Human won the International Fantasy Award and holds up well today. This is recommended. --David Langford
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