Based on the historical incident of an unspeakable massacre at the site of Sant'Anna Di Stazzema, a small village in Tuscany, and on the experiences of the famed Buffalo soldiers from the 92nd Division in Italy during World War II, MIRACLE AT SAINT. ANNA is a singular evocation of war, cruelty, passion, and heroism. It is the story of four American Negro soldiers, a band of partisans, and an Italian boy who encounter a miracle - though perhaps the true miracle lies in themselves.
Traversing class, race, and geography, MIRACLE AT SAINT. ANNA is above all a hymn to the brotherhood of man and the power to do good that lives in each of us.
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The Buffalo Soldiers were the black American troopers of the 92nd Division who fought and died in Italy in World War II. In Miracle at Sant'Anna their remarkable story has been "novelised" by James McBride, bestselling author of The Color of Water. To get at the emotional and metaphorical heart of the fate of the so-called "Negro Division", McBride has invented a number of black soldier heroes and antiheroes; Sam Train, Stamps, Bishop, Hector, etc. Using the eyes, ears and voices of these and other soldiers McBride tells how the Buffalo Soldiers fought, loved, cursed, cooked, stole, whored, wept, suffered, killed, and mule-trained their way up the war-torn Italian peninsula. It's in many ways the standard war story, told in McBride's admirably calm, judiciously lyrical prose: this is an author unafraid of saying things the simple way, nor of utilising slang or cliché: "he fell asleep and slept like a dead man", "the big galoo was sitting in the path of twelve thousand Germans, and he couldn't even read a map".
And yet, and yet. This isn't just your average bit of combat fiction. These are black American soldiers, two generations from Africa and slavery, fighting in the cradle of Christendom, the birthplace of the Renaissance. With cleverness and subtly McBride makes great play with the perceived and supposed distinction between the savage uncouthness of the "jitterbugging negroes" and the refined and elegant beauties of Tuscany and Rome. And it's when these distinctions are truly disproved, or even upended, that this skilful, intelligent, deeply felt novel carries frank emotional power--earning it comparisons with the likes of Charles Frazier's Cold Mountain. --Sean Thomas
Stunning...Incandescent prose which at once marks up a new voice and calls up Tennessee Williams, Isaac Bashevis Singer and streetwise black America rolled into one (Financial Times on The Color of Water)
James McBride's first book, The Color of Water, a memoir published in 1996, sold more than 1.3 million copies and was a bestseller for two years. Now he has produced a novel, Miracle at Sant'Anna. It evokes such power and beauty, pathos and love, that it may very well outstrip its precursor...A searingly, soaringly beautiful novel. Some may argue that the epilogue, which brings the story sharply back to the present, does so perhaps a trifle too cleverly. That was not the case for me. I found it crisp and free of sentimentality.
The book's central theme, its essence, is a celebration of the human capacity for love. Even in the course of virtually unbearable warfare and deprivation - with carnage and devastation, hunger and hopelessness blotting out all other realities - people are able to touch each other, to care. That, McBride insists, is the enduring, immortal miracle of the human race, for all its imperfections.
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