"synopsis" may belong to another edition of this title.
The first chapter quizzes readers on mostly technical, basic details of design (like dpi), all of which can be found in Williams's previous publications (for example, The Non-Designer's Design Book). Readers will be dismayed, or maybe annoyed, that the quiz answers are not provided. Even if not knowing the answers means that you need remedial help, it feels like a bit of a tease.
The next chapters show how to use stock images, or your own images, to increase the visual impact of your piece (basically through an increase in contrast). The best part of this section, and the book as a whole, is the "before and after" approach in the examples; they are like a series of makeovers. The captions effectively describe what was changed in the image and how it improved the design.
The book applies a similar set of makeovers to various types of design projects: logos, forms, newsletters, tables of contents, etc. In the final section, seven designers, including co-author Tollett, break down the process they went through on a job of their own.
Self-taught graphic designers would probably make the best audience for this book, but designers who are of their own "school of thought" may find fault with some of the tenets put forth. Graphic design is by nature a subjective enterprise--at the mercy of "styles". What you get in this book is more of a "desktop publisher style". There is a lack of sophistication in the design of the book as well as in the illustrations of posters, letterheads, advertisements and other applications that are used as examples. On the other hand, this same open, naive look gives the book an inviting appeal, and makes it perhaps a bit less daunting than style guides intended for die-hard professionals, such as Bringhurst's The Elements of Typographic Style. --Angelynn Grant
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