Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters addressed ominously to 'My dear and unfortunate successor'. Her discovery plunges her into a world she never dreamed of - a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an evil hidden in the depths of history.
In those few quiet moments, she unwittingly assumes a quest she will discover is her birthright - a hunt for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the Dracula myth. Deciphering obscure signs and hidden texts, reading codes worked into the fabric of medieval monastic traditions, and evading terrifying adversaries, one woman comes ever closer to the secret of her own past and a confrontation with the very definition of evil.
Elizabeth Kostova's debut novel is an adventure of monumental proportions - a captivating tale that blends fact and fantasy, history and the present with an assurance that is almost unbearably suspenseful - and utterly unforgettable.
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Three generations search for Dracula's resting place, and their stories are nested within each other, so that we know that at least two quests ended badly. Kostova rations her thrills very carefully so that we jump out of our chair at quite slight surprises, especially when we have come to expect buckets of blood and loud bangs. She also has a profound and well-communicated sense of place and period, so that the book is equally at home in 1930s Rumania, Cold War Budapest and 1970s Oxford. Kostova is particularly good on the sights and sounds of remote country places and the taste of real peasant food--this sensuous realism does not always go with her other skill, the creation of imagined documents and folksongs that feel as real and true as what might be actual.
This is a quietly good book rather than a spectacular debut, with some uncomfortable twists in its tail; her heroine-narrators are, and perhaps remain, in the most serious of jeopardies. ---Roz Kaveney
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