Sets out to portray the spiritual landscape of Cuba in the wake of Castro's revolutionary upheaval, through the story of three generations of women in the Lucientes family.
"synopsis" may belong to another edition of this title.
The Caribbean island of Cuba has, or had, a rich and multifarious storytelling culture that has survived strongest in the old songs and musical traditions still alive there. Ernesto Mestre's epic first novel The Lazarus Rumba--nearly 500 pages long--is both a lament for and a celebration of the boisterous imagination, sensuality and resourcefulness of the country from which he is an exile in the United States. The main story of his very magical realist novel is almost submerged in a prismatic sea of tales that grow more and more wildly fantastical as they progress but which always reflect Cuba's history, its culture and the cultural depredation of Fidel Castro's socialist regime. Even Castro's glorious Revolution, Mestre suggests, was a flight of fancy only rendered a reality by the cowardliness of Castro's predecessor, who escaped into exile long before he need have. It is difficult to agree with im on that point but given what happens to his main female protagonist, Alicia--who makes the point--at the hands of the revolutionary government, such denigration is understandable.
The novel concerns the struggle of Alicia and her family, living in the politically sensitive town of Guantanamo (near the American naval base) just after the Revolution, against grief, privation, continuous harassment and, for Alicia and her homosexual acrobat cousin Hector, torture and imprisonment. As the petty local government officials and malicious local police chief destroy this family and their civilised way of life, relief comes in the form of ghosts, fantastically resculpted memories, Cuba's Afro-Catholic voodoo-like religion Santeria (to which Alicia becomes an afficionado) and grotesque, scatological takes on the characters and goings-on of Guantanamo, full of magic and satirical metaphor and the twisted logic of dreams.
Cuban humour, especially nowadays under socialism, is uniquely ingenuous and double-edged and it authentically permeates Mestre's novel. Mestre also brilliantly captures the illogicality and open-endedness of life in Cuba: characters enter the narrative quite suddenly, hold centre stage for a few pages and then disappear just as abruptly. The cast of characters is itself startling: a fabulously feathered blue fighting cock called Atila who sings opera but is a typical Cuban macho; Triste the Contortionist and a host of semi-supernatural gypsy circus artistes; the police chief's drooling bullmastiff Tomas de Aquino, and Fidel Castro himself as student, friend and tyrant--to name just a few. Mestre experiments with every kind of narrative style for each of his characters, like a virtuoso violinist, and creates an intricate patchwork of tales within tales, the thread of one appearing in the weave of another, dead characters reappearing as ghosts--just as the rhythms and melodies repeat, fade and are resurrected in new forms in a traditional cuban rumba.
The narrative sometimes becomes unfocused as Mestre tries his hand at airy philosophising. He is best at storytelling: his stories constantly metamorphose into new ones and glory in the viscous magic of the imagination set free. Much of the sensual passion of the novel is homo- erotic, which is perhaps more of a reflection of the author than of Cuba but deepens the effect of an already tragic set of circumstances, as for a decade or more after the Revolution gays and lesbians were imprisoned and tortured in Socialist Cuba.
Writing with a deep-rooted Cuban sensibility, Mestre has produced a multi-dimensional kaleidoscope of satirical vignettes that are both haunting and earthy to describe the soul of a complex country. --Emily Ormond
Sets out to portray the spiritual landscape of Cuba in the wake of Castro's revolutionary upheaval, through the story of three generations of women in the Lucientes family.
"About this title" may belong to another edition of this title.
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0312199074I4N00
Seller: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00101607998
Seller: Wonder Book, Frederick, MD, U.S.A.
Condition: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects. Seller Inventory # R04C-04283
Seller: Better World Books: West, Reno, NV, U.S.A.
Condition: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # GRP65352326
Seller: Bookmarc's, La Porte, TX, U.S.A.
Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. E4 - A first edition hardcover book in near fine condition that has light shelf wear in very good dust jacket that has wrinkling, chipping, and crease on the edges and corners and light shelf wear. Satisfaction Guaranteed. Size: 8vo - over 7¾" - 9¾" tall. Seller Inventory # EC23595BB
Seller: Book Nook, Cadillac, MI, U.S.A.
Hardcover. Condition: Good. Dust Jacket Condition: Good. First Edition. Usual ex-library markings. Dj has very light edgewear. Dj had been in a taped-in wrap, tape was cut, wrap removed but tape pieces remain on covers. Front endpage has been removed- it was cut out & in doing so, they also cut through the first title page (about 2"). Very lightly bumped corners. Good reading copy. Seller Inventory # 028846
Seller: Avenue Victor Hugo Books, Newmarket, NH, U.S.A.
Hardcover. Condition: near fine. Dust Jacket Condition: near fine. First Edition. Octavo, 9 1/2" tall, 486 pages, green paper over boards. A near fine, clean, hardcover first edition, first printing, with minimal shelf wear, hinges and binding tight, paper cream white. In a fine dust jacket, and with original price. Seller Inventory # 2442
Seller: The Yard Sale Store, Narrowsburg, NY, U.S.A.
Hardcover. Condition: Good. Quite new looking. Seller Inventory # 12377737695
Seller: Argyl Houser, Bookseller, Altadena, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. The book is spotless and shows no signs of wear or damage inside or out. The dust jacket is also spotless and is not price-clipped. It has no holes, creases, chips or tears, but does have slight wear and crimping at the top and bottom of spine. Book and dust jacket will be bubble-wrapped and shipped in a sturdy box to ensure safe transit. Seller Inventory # 011235
Seller: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.
Hardcover. Condition: Very Good. First Printing. bumped Spine Ends. Seller Inventory # 97395