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Book Description Hardcover. Condition: New. Seller Inventory # 6666-WLY-9780300204346
Book Description Condition: New. Seller Inventory # 20320543-n
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # WY-9780300204346
Book Description Hardcover. Condition: New. Dust Jacket Condition: New. Qto., 420 pages, colour illustrated. A New copy in dust jacket, in the shrink wrap as issued. Size: Qto. Book. Seller Inventory # 083580
Book Description Condition: new. Seller Inventory # 06e6f6c99149e15264668f3a3dacb2b1
Book Description Hardcover. Condition: Brand New. 418 pages. 11.00x9.25x1.50 inches. In Stock. Seller Inventory # __0300204345
Book Description Condition: New. Exploring the relationship with painted portraits, conventions, settings, sitting, making and multiple production, this book argues that the new centrality and aesthetic ambition of the sculptural portrait were informed by Enlightenment notions of perception and selfhood. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 420 pages, 100 color + 300 b/w illus. BIC Classification: 1DBK; 3JF; ACQ; AFKB; AGHF. Category: (G) General (US: Trade). Dimension: 240 x 284 x 34. Weight in Grams: 2130. . 2015. Hardcover. . . . . Seller Inventory # V9780300204346
Book Description Condition: New. Seller Inventory # 20320543-n
Book Description Condition: New. Book is in NEW condition. Seller Inventory # 0300204345-2-1
Book Description Condition: New. New! This book is in the same immaculate condition as when it was published. Seller Inventory # 353-0300204345-new