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Illuminated Manuscripts of Giangaleazzo Visconti (College Art Association monograph): 46 - Hardcover

 
9780271007007: Illuminated Manuscripts of Giangaleazzo Visconti (College Art Association monograph): 46
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Five Illuminated Manuscripts of Giangaleazzo Visconti is an in-depth study of several illuminated manuscripts commissioned by a major 14th-century Italian patron of art and learning.Edith Kirsch in this book reveals how a group of manuscripts commissioned by Giangaleazzo Visconti (and, in one instance, by his immediate family) reflect not only his dynastic concerns but also the development of his inclination to express these concerns through works of art establishing both his classical heroism and his Christian piety. Considered as a group for the first time, these manuscripts document one of Giangaleazzo's most innovative activities as a manuscript collector-the commissioning of lavish manuscripts to commemorate major dynastic events. In their richness and in the extraordinary verisimilitude and historical specificity of their decoration, these manuscripts document the self-image of a prince who set out to record his unprecedented accomplishments in unprecedented fashion. Like his politics, however, Giangaleazzo's patronage of the arts was shaped by the practices of his ancestors, and his accomplishments as a patron are best understood in the context of family tradition.Giangaleazzo's library rivaled even that of his brother-in-law, King Charles V of France, reputed to be the greatest collector of manuscripts in late fourteenth-century Europe. Kirsch's study rests on the premise that Giangaleazzo's patronage of manuscripts was marked by certain characteristic features: execution of the work by exceptionally gifted scribes and illuminators, unusual fullness and richness of both text and illumination, unusual combinations of texts, unusual conjunctions of text and image, and iconographical manipulation of miniatures and borders to fit certain historical circumstances and to express particular devotions.This study enriches our understanding of each of the manuscripts in the group and traces the development of a distinctive pattern of patronage that influenced the visual arts in Milan for over a century.

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This study attempts to reveal how a group of manuscripts commissioned by the Milanese Prince Giangaleazzo Visconti reflected not only his dynastic concerns but also the development of his inclination to express these concerns through works of art, establishing both his classical heroism and his Christian piety. Considered as a group for the first time, these manuscripts document one of Giangaleazzo's most innovative activities as a manuscript collector - the commissioning of lavish manuscripts to commemorate major dynastic events. In their richness, the manuscripts document the self-image of an Italian prince who set out to record his accomplishments in unprecedented fashion. Giangaleazzo's library rivalled even that of his brother-in-law, King Charles V of France, reputed to be the greatest collector of manuscripts in late 14th century Europe.

Kirsch's study rests on the premise that Giangaleazzo's patronage of manuscripts was marked by certain characteristic features: execution of the work by gifted scribes and illuminators, the richness of both text and illumination, unusual combinations of texts, unusual conjunctions of text and image, and the iconographical manipulation of miniatures and borders to fit certain historical circumstances and to express particular devotions.

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Book Description Cloth, gilt cover-title, 4to, 29 cm, xiv, 114 pp, colour drontispiece and 107 black-and-white ills. From the blurb - "Edith Kirsch in this book reveals how a group of manuscripts commissloned by Giangaleazzo Visconti (and, in one instance, for his funeral oration) reflects not only his dynastic concerns but also the development of his inclination to express these concerns through works of art that establish both his classical heroism and his Christian piety. Considered as a group for the first time, these manuscripts document one of Giangaleazzo's most innovative activities as a manuscript collector - the commissioning of lavish manuscripts to commemorate major dynastic events. In their richness and in the extraordinary verisimilitude and historical specificity of their decoration, these manuscripts document the self-image of a prince who set out to record his unprecedented accomplishments in unprecedented fashion. Like his politics, however, Giangaleazzo's patronage of the arts was shaped by the practices of his ancestors, and his accomplishments as a patron are best understood in the context of family tradition. Giangaleazzo's library rivaled even that of his brother-in-law, King Charles V of France, reputed to be the greatest collector of manuscripts in late fourteenth-century Europe. Kirsch s study rests on the premise that Giangaleazzo s patronage of manuscripts was marked by certain charactenstic features: execution of the work by exceptionally gifted scribes and illuminators, unusual fullness and richness of both text and illumination, unusual combinations of texts, unusual conjunctions of text and image, and iconographical manipulation of miniatures and borders to fit certain historical circumstances and to express particular devotions. This study enriches our understanding of each of the manuscripts in the group and traces the development of a distinctive pattern of patronage that influenced the visual arts in Milan for over a century." Very Good in slightly used dustwrapper. Seller Inventory # ABE-58040

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Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. University Park, Pennsylvania, U.S.A.: Pennsylvania State Univ Press, 1991. First edition. Monographs on the Fine Arts Vollume XLVI. Dark blue cloth, 114 pages plus section of 107 illustrations in black and white, illustrated dustjacket. Fine condition other than a light scattering of foxing along the top edge, otherwise looks and feels new, no names or other markings, minor shelf rubbing to rear panel of mylar protected dustjacket, no chips or tears. First Edition. Hard Cover. Very Good/Very Good. 4to - over 9¾" - 12" tall. Seller Inventory # 025890

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