Reality Transformed – Film as Meaning & Technique: Film as Meaning and Technique - Hardcover

Singer, Irving

Hardcover

ISBN 10: 0262194031 ISBN 13: 9780262194037

Publisher: MIT Press, 1998

Synopsis

Since the late 1960s film theory has been dominated by "grand theories" that examine motion pictures from a psychoanalytic, semiotic, or Marxist point of view. Irving Singer offers an approach to the philosophy of film by returning to the classical debate between realist and formalists - he shows how the opposing positions may be harmonized and united. He accepts the realist claim that films somehow "capture" reality, but agrees with the formalist belief that they transform it. Extending his earlier work on meaning in art and life, he suggests that the meaningfulness of movies derives from techniques that re-create reality in the process of presenting it to viewers who have learned to appreciate the aesthetics of cinematic transformation. Singer concentrates on questions about appearance and reality, the visual and the literary, and the interplay between communication as a goal and alienation as a hazard in films of every sort. In three chapters he provides suggestive reading of Woody Allen's "The Purple Rose of Cairo", Luchino Visconti's "Death in Venice", and Jean Renoir's "The Rules of the Game". The book should be of interest to the general reader as well as students in all fields related to film studies.

About this title

Review:

"There has been a traditional split in film studies between the Bazinians and the Eisensteinians--those who believe the medium has a special aptitude for reality and those who would stress its purely formal and autonomous characteristics. This soberly argued book attempts to make peace using philosophical humanism. Taking as his premise the currently unfashionable idea that narrative cinema has something to do with life, Singer demonstrates how it transforms our common experience into art." --Sight & Sound

About the Author:

Irving Singer is Professor of Philosophy at MIT. In addition to his two trilogies, The Nature of Love and Meaning in Life, he is the author of many other books, including the recent Philosophy of Love: A Partial Summing-Up, and four books on film aesthetics, Reality Transformed: Film as Meaning and Technique; Three Philosophical Filmmakers: Hitchcock, Welles, Renoir; Ingmar Bergman, Cinematic Philosopher: Reflections on His Creativity; and Cinematic Mythmaking: Philosophy in Film, all published by the MIT Press.

About this edition

• Publisher: MIT Press
• Publication date: 1998
• ISBN 10: 0262194031
• ISBN 13: 9780262194037
• Binding: Hardcover
• Number of pages: 226