Review:
-- Yve-Alain Bois, Joseph Pulitzer, Jr. Professor of Modern Art, Harvard University " Duchamp's oeuvre is a kind of labyrinth through which few art historians have managed to come out with all their sanity: Joselit's work provides a remarkably original guide for it, and demonstrates, with radically new means, the centrality of Duchamp's oeuvre in this century." -- Yve-Alain Bois, Joseph Pulitzer, Jr. Professor of Modern Art, Harvard University & quot; Duchamp's oeuvre is a kind of labyrinth through which few art historians have managed to come out with all their sanity: Joselit's work provides a remarkably original guide for it, and demonstrates, with radically new means, the centrality of Duchamp's oeuvre in this century.& quot; -- Yve-Alain Bois, Joseph Pulitzer, Jr. Professor of Modern Art, Harvard University "Duchamp's oeuvre is a kind of labyrinth through which few art historians have managed to come out with all their sanity: Joselit's work provides a remarkably original guide for it, and demonstrates, with radically new means, the centrality of Duchamp's oeuvre in this century."--Yve-Alain Bois, Joseph Pulitzer, Jr. Professor of Modern Art, Harvard University
About the Author:
David Joselit is Distinguished Professor in the Art History Department of the CUNY Graduate Center and the author of Infinite Regress: Marcel Duchamp 1910-1941 (MIT Press, 1998) and American Art Since 1945.
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