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"Raeburn skillfully treats the role of the FSA photography project in the contexts of art. In the process he offers the most nuanced, perceptive discussion of the much-misunderstood role of FSA project chief Roy Emerson Stryker that I have ever read. Even for those of us well-schooled in the history and practices of the FSA, these chapters offer something new and valuable. . . . Raeburn challenges readers to look beyond received wisdom about the visual culture of the 1930s and explore it anew for themselves."--American Historical Review
"A sweeping cultural history of 1930s photography and a passionate argument that photographs are powerful pieces of historical evidence and should not be treated as merely illustrations."--Winterthur Portfolio
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Book Description Condition: New. Fine. Paperback. 2006. Originally published at $37. Seller Inventory # W97202b
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Book Description Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days. Offering analysis of the sociology of photography's art world and its galleries and exhibitions, this book demonstrates the importance of the venues created by impresarios and others that proved essential to photography's extraordinary dissemination. Seller Inventory # B9780252073229
Book Description Paperback. Condition: Brand New. 1st edition. 368 pages. 9.50x6.75x1.25 inches. In Stock. Seller Inventory # __0252073223