Review:
“A superb and enriching book; the family album of a forsaken people, the archive of a nation that has not been permitted to exist. . . . It is an album rendered in what Virgil called the tears of things, filled with nobility and brutality, passion and terror.”—Karl E. Meyer, "New York"" Times Book Review"--Karl E. Meyer "New York Times Book Review "
“Meiselas has, with infinite labor and tenderness, composed a collage, framed a composition, designed a frame, confected a design and, by means of a deft balance between text and camera, brought off a thing of beauty as well as instruction. . . . This book is everything that scholarship and journalism and humanism ought to aspire to be.”—Christopher Hitchens, "Los Angeles"" Times Book Review"
--Christopher Hitchens "Los Angeles Times Book Review "
"An extraordinarily handsome volume. In a labor of love, Meiselas spent six years combing libraries, archives and family collections for old photographs, postcards, documents, newspaper clippings . . . to produce a visually stunning montage designed to prick the conscience of the world."--Barry Gewen "Paper Cuts "
"A superb and enriching book; the family album of a forsaken people, the archive of a nation that has not been permitted to exist. . . . It is an album rendered in what Virgil called the tears of things, filled with nobility and brutality, passion and terror."--Karl E. Meyer "New York Times Book Review "
"Meiselas has, with infinite labor and tenderness, composed a collage, framed a composition, designed a frame, confected a design and, by means of a deft balance between text and camera, brought off a thing of beauty as well as instruction. . . . This book is everything that scholarship and journalism and humanism ought to aspire to be."--Christopher Hitchens "Los Angeles Times Book Review "
"An extraordinary visual history of an oppressed people....This project is the only living archive for collective Kurdish memory."--Sarah Beth Glicksteen"Christian Science Monitor" (12/12/2008)
A superb and enriching book; the family album of a forsaken people, the archive of a nation that has not been permitted to exist. . . .It is an album rendered in what Virgil called the tears of things, filled with nobility and brutality, passion and terror. --Karl E. Meyer "New York Times Book Review ""
Meiselas has, with infinite labor and tenderness, composed a collage, framed a composition, designed a frame, confected a design and, by means of a deft balance between text and camera, brought off a thing of beauty as well as instruction. . . . This book is everything that scholarship and journalism and humanism ought to aspire to be. --Christopher Hitchens "Los Angeles Times Book Review ""
About the Author:
Susan Meiselas is an award-winning photographer and a member of the Magnum Photos agency. She was awarded the Robert Capa Gold Medal and was named a MacArthur Fellow. Martin van Bruinessen is an anthropologist who has been involved with the Kurds for over three decades. He is currently a professor at the International Institute for the Study of Islam in the Modern World and at Utrecht University.
"About this title" may belong to another edition of this title.