David Halle's idea was to connect culture to everyday life by showing how people actually use the artifacts of culture paintings, photographs, sculpture - in the most intimate of all settings: the home. Halle takes the reader on a tour of 160 homes in and around New York City. From affluent townhouses on Manhattan's Upper East Side and rowhouses in blue-collar Brooklyn to the suburbs of Long Island, Halle walked through living rooms and dens, inventoried the works on display, and talked to homeowners about the art around them. The result is a portrait of the uses of art and a look at the meanings of art for its primary audience - those who buy it and live with it. Are there differences in artistic preferences between social classes or races or between urban and suburban homes? Similarities? How do choices in art works - and the way we display them - speak to our dreams, desires, pleasures, and fears? And what do they say about the real cultural boundaries between elite and popular, high and low? Halle examines landscapes, both priceless heirlooms and mass-produced sunsets; abstract paintings and prints; "primitive" sculpture; and the vibrantly coloured portraits of religious art. He also discusses the gatherings of family photographs that fill every home. Why have saints vanished from religious art? How do liberal whites and middle-class blacks find different meanings in the African art they both proudly display? What accounts for the disappearance of the painted family portrait? Why are landscapes universally popular? What accounts for the popularity of abstract art in affluent homes, but nowhere else? These are just some of the fascinating questions Halle confronts. Refusing easy generalisations about culture and class, Halle shows that art has a different set of meanings outside museums and galleries; for its consumers, the experience of art isn't always what artists and critics say it is. With floor plans, drawings, and photographs, this book should be enjoyed on many levels. It describes the way a broad cross-section of people live with art. It records an astonishing variety of artistic experience. And it changes the ongoing conversation about what culture contains, what it controls, and what the products called "art" mean.
"synopsis" may belong to another edition of this title.
David Halle's idea was simple but radical: to connect culture to everyday life by showing how people actually use the artifacts of culture - paintings, photographs, sculpture - in the most intimate of all settings: the home. In the first book of its kind, Halle gives a fascinating account of the uses and meaning of art for those who buy it and live with it. His study ranges from the affluent town houses on Manhattan's Upper East Side and row houses in blue-collar Brooklyn to middle- and upper-middle class suburbs on Long Island, resulting in an unprecedented portrait of the meanings of art for its primary audience. Are there differences in artistic preferences between social classes or races or between urban and suburban homes? Similarities? How do choices in art works - and the way we display them - speak to our dreams, desires, pleasures, and fears? And what do they say about the real cultural boundaries between elite and popular, high and low? Halle examines landscapes, both priceless heirlooms and mass-produced sunsets; abstract paintings and prints; "primitive" sculpture; and the vibrantly colored portraits of religious art. He also discusses the gatherings of family photographs that fill every home. Inside Culture also explores the architecture and design of the houses, from the eclipse of the formal dining room to the landscape of urban backyards. Refusing easy generalizations about culture and class, Halle shows that art has a different set of meanings outside the rarefied air of museums and galleries. He challenges received opinion about the role of the audience in the history and reception of twentieth-century art to show that the experience of art isn't always what artistsand critics say it is. With floor plans, drawings, and dozens of photographs, this lively book can be enjoyed on many levels. It describes for the first time the way a broad cross section of people live with art. It records for the first time the astonishing variety of artistic experience. And it permanently changes our ongoing conversation about what culture contains, what it controls, and what the products called "art" really mean.
David Halle is professor of sociology at the University of California, Los Angeles, and director of the summer travel program, UCLA in New York: Cities and Cultures. He is also an adjunct professor at the City University of New York's Graduate Center and School of Professional Studies and the author of America's Working Man and Inside Culture, also published by the University of Chicago Press.
"About this title" may belong to another edition of this title.
Shipping:
£ 2.25
Within U.S.A.
Shipping:
£ 5.22
Within U.S.A.
Seller: Open Books, Chicago, IL, U.S.A.
Hardcover. Condition: Very Good. Open Books is a nonprofit social venture that provides literacy experiences for thousands of readers each year through inspiring programs and creative capitalization of books. Seller Inventory # mon0000636125
Quantity: 1 available
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00065488905
Quantity: 1 available
Seller: SecondSale, Montgomery, IL, U.S.A.
Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Seller Inventory # 00064910501
Quantity: 1 available
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1. Seller Inventory # G0226313670I4N01
Quantity: 1 available
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1. Seller Inventory # G0226313670I3N01
Quantity: 1 available
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # GRP71408148
Quantity: 1 available
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
Hardcover. Condition: Very Good. 1st Edition. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. Seller Inventory # 82203
Quantity: 1 available
Seller: Montana Book Company, Fond du Lac, WI, U.S.A.
Cloth. Condition: Very Good. 261 pp. Tightly bound. Corners not bumped. Text is free of markings. Owner's name top right corner front end paper. Seller Inventory # 069533
Quantity: 1 available
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized. Seller Inventory # mon0000083955
Quantity: 1 available
Seller: Abacus Bookshop, Pittsford, NY, U.S.A.
hardcover. Condition: Fine copy in fine dust jacket. Well-illustrated (illustrator). 1st edition. 8vo, 261 pp. Seller Inventory # 105872
Quantity: 1 available