Review:
"In looking again at images of Indians, Sherry Smith breaks down stereotypes about the people who held and created images of the American West and its peoples for an essentially eastern audience. As in the writings of earlier European authors, positive statements about Indian life and culture often revealed underlying or open dissatisfaction with one's own society rather than an accurate record of Indian life. But Smith demonstrates how these writers, for all their blindspots, prejudices, and shortcomings as cultural interpreters, created an image of Indians as human beings, something badly lacking from earlier portrayals. These writers exerted influence on federal Indian policy, paving the way for the more pluralistic view, especially in the years when John Collier was formulating radical changes in national Indian affairs."--Colin G. Calloway, Dartmouth College"Sherry Smith, a wonderfully versatile historian, now leads us into the lives and minds of nine men and women driven to understand, and sometimes to speak for, Indian peoples. Their visions--part insight and admiration, part fantasy and delusion--said as much about white as about Native America. It's a fascinating story told always with compassion and an exceptionally illuminating intelligence."--Elliott West, University of Arkansas"Something happened in America in the century between the Wounded Knee massacre and the premier of 'Dances with Wolves.' The American public finally learned that the old language of 'savagery' did not describe Native American cultures and popular attitudes towards Indians gradually shifted from hostility to admiration. Sherry Smith's fascinating portrait of these men and women who were captivated by Indian culture helps us understand this dramatic reversal of outlook. Often perceived as misfits in their day, these writers and activists pushed their fellow countrymen to cast aside prejudice and ignorance and move closer to their own emerging vision of a plural nation capable of learning from the Native American past. This is a great story."--Frederick E. Hoxie, University of Illinois, Urbana/Champaign"Sherry Smith brings to life a remarkable group of writers, travelers, and cultural explainers bent on fashioning a new, positive image of Native Americans. Rescuing what she calls 'middle-brow purveyors of Indianness' from obscurity, Smith provides a sympathetic yet critical reading of cultural interpreters as diverse as George Wharton James, Anna Ickes, and Frank Bird Linderman. Smith's book is a revelation, one that acknowledges the enduring influence of those Anglo image-makers while revealing the complexities and contradictions when one culture attempts to portray another. Reimaging Indians is one of those rare books sure to enjoy a wide audience both professional and popular."--James P. Ronda, University of Tulsa "In looking again at images of Indians, Sherry Smith breaks down stereotypes about the people who held and created images of the American West and its peoples for an essentially eastern audience. As in the writings of earlier European authors, positive statements about Indian life and culture often revealed underlying or open dissatisfaction with one's own society rather than an accurate record of Indian life. But Smith demonstrates how these writers, for all their blindspots, prejudices, and shortcomings as cultural interpreters, created an image of Indians as human beings, something badly lacking from earlier portrayals. These writers exerted influence on federal Indian policy, paving the way for the more pluralistic view, especially in the years when John Collier was formulating radical changes in national Indian affairs."--Colin G. Calloway, Dartmouth College "Sherry Smith, a wonderfully versatile historian, now leads us into the lives and minds of nine men and women driven to understand, and sometimes to speak for, Indian peoples. Their visions--part insight and admiration, part fantasy and delusion--said as much about white as about Native America. It's a fascinating story told always with compassion and an exceptionally illuminating intelligence."--Elliott West, University of Arkansas "Something happened in America in the century between the Wounded Knee massacre and the premier of 'Dances with Wolves.' The American public finally learned that the old language of 'savagery' did not describe Native American cultures and popular attitudes towards Indians gradually shifted from hostility to admiration. Sherry Smith's fascinating portrait of these men and women who werecaptivated by Indian culture helps us understand this dramatic reversal of outlook. Often perceived as misfits in their day, these writers and activists pushed their fellow countrymen to cast aside prejudice and ignorance and move closer to their own emerging vision of a plural nation capable of learning from the Native American past. This is a great story."--Frederick E. Hoxie, University of Illinois, Urbana/Champaign "Sherry Smith brings to life a remarkable group of writers, travelers, and cultural explainers bent on fashioning a new, positive image of Native Americans. Rescuing what she calls 'middle-brow purveyors of Indianness' from obscurity, Smith provides a sympathetic yet critical reading of cultural interpreters as diverse as George Wharton James, Anna Ickes, and Frank Bird Linderman. Smith's book is a revelation, one that acknowledges the enduring influence of those Anglo image-makers while revealing the complexities and contradictions when one culture attempts to portray another. Reimaging Indians is one of those rare books sure to enjoy a wide audience both professional and popular."--James P. Ronda, University of Tulsa "In looking again at images of Indians, Sherry Smith breaks down stereotypes about the people who held and created images of the American West and its peoples for an essentially eastern audience. As in the writings of earlier European authors, positive statements about Indian life and culture often revealed underlying or open dissatisfaction with one's own society rather than an accurate record of Indian life. But Smith demonstrates how these writers, for all their blindspots, prejudices, and shortcomings as cultural interpreters, created an image of Indians as human beings, something badly lacking from earlier portrayals. These writers exerted influence on federal Indian policy, paving the way for the more pluralistic view, especially in the years when John Collier was formulating radical changes in national Indian affairs."--Colin G. Calloway, Dartmouth College "Sherry Smith, a wonderfully versatile historian, now leads us into the lives and minds of nine men and women driven to understand, and sometimes to speak for, Indian peoples. Their visions--part insight and admiration, part fantasy and delusion--said as much about white as about Native America. It's a fascinating story told always with compassion and an exceptionally illuminating intelligence."--Elliott West, University of Arkansas "Something happened in America in the century between the Wounded Knee massacre and the premier of 'Dances with Wolves.' The American public finally learned that the old language of 'savagery' did not describe Native American cultures and popular attitudes towards Indians gradually shifted from hostility to admiration. Sherry Smith'sfascinating portrait of these men and women who were captivated by Indian culture helps us understand this dramatic reversal of outlook. Often perceived as misfits in their day, these writers and activists pushed their fellow countrymen to cast aside prejudice and ignorance and move closer to their own emerging vision of a plural nation capable of learning from the Native American past. This is a great story."--Frederick E. Hoxie, University of Illinois, Urbana/Champaign "Sherry Smith brings to life a remarkable group of writers, travelers, and cultural explainers bent on fashioning a new, positive image of Native Americans. Rescuing what she calls 'middle-brow purveyors of Indianness' from obscurity, Smith provides a sympathetic yet critical reading of cultural interpreters as diverse as George Wharton James, Anna Ickes, and Frank Bird Linderman. Smith's book is a revelation, one that acknowledges the enduring influence of those Anglo image-makers while revealing the complexities and contradictions when one culture attempts to portray another. Reimaging Indians is one of those rare books sure to enjoy a wide audience both professional and popular."--James P. Ronda, University of Tulsa "In looking again at images of Indians, Sherry Smith breaks down stereotypes about the people who held and created images of the American West and its peoples for an essentially eastern audience. As in the writings of earlier European authors, positive statements about Indian life and culture oftenrevealed underlying or open dissatisfaction with one's own society rather than an accurate record of Indian life. But Smith demonstrates how these writers, for all their blindspots, prejudices, and shortcomings as cultural interpreters, created an image of Indians as human beings, something badlylacking from earlier portrayals. These writers exerted influence on federal Indian policy, paving the way for the more pluralistic view, especially in the years when John Collier was formulating radical changes in national Indian affairs."--Colin G. Calloway, Dartmouth College"Sherry Smith, a wonderfully versatile historian, now leads us into the lives and minds of nine men and women driven to understand, and sometimes to speak for, Indian peoples. Their visions--part insight and admiration, part fantasy and delusion--said as much about white as about Native America.It's a fascinating story told always with compassion and an exceptionally illuminating intelligence."--Elliott West, University of Arkansas"Something happened in America in the century between the Wounded Knee massacre and the premier of 'Dances with Wolves.' The American public finally learned that the old language of 'savagery' did not describe Native American cultures and popular attitudes towards Indians gradually shifted fromhostility to admiration. Sherry Smith's fascinating portrait of these men and womenwho were captivated by Indian culture helps us understand this dramatic reversal of outlook. Often perceived as misfits in their day, these writers and activists pushed their fellow countrymen to cast aside prejudiceand ignorance and move closer to their own emerging vision of a plural nation capable of learning from the Native American past. This is a great story."--Frederick E. Hoxie, University of Illinois, Urbana/Champaign"Sherry Smith brings to life a remarkable group of writers, travelers, and cultural explainers bent on fashioning a new, positive image of Native Americans. Rescuing what she calls 'middle-brow purveyors of Indianness' from obscurity, Smith provides a sympathetic yet critical reading of culturalinterpreters as diverse as George Wharton James, Anna Ickes, and Frank Bird Linderman. Smith's book is a revelation, one that acknowledges the enduring influence of those Anglo image-makers while revealing the complexities and contradictions when one culture attempts to portray another. ReimagingIndians is one of those rare books sure to enjoy a wide audience both professional and popular."--James P. Ronda, University of Tulsa
About the Author:
Sherry L. Smith is Associate Professor of History at Southern Methodist University.
"About this title" may belong to another edition of this title.