The plot of this novel centres on the ancient "pazos" (mansions) of Galicia, fallen into decay with the mid-19th-century impoverishment of the Spanish squirearchy. There is an atmosphere of "sturm and drang" in the description of the melancholy house and its sinister occupants.
"synopsis" may belong to another edition of this title.
An absolutely first-rate novelist [...] Bazán's genius lies in the way she mixes comedy, farce, realism and heightened-pitch hysteria with a dash of gothic [...] People may travel by donkey in this book, but it could have been written yesterday (Nick Lezard Guardian)
Pardo Bazán's mastery of social types and of the political currents that swirled around the liberal revolution are unsurpassed in Spanish literature ... O'Prey and Graves ... avoid awkward literalisms while nonetheless remaining true to the spirit of the original (New Criterion)
The countess Emilia Pardo Bazán was born in 1851 and married at the age of sixteen. But rather than following the usual path of an upper-class woman of the time, she became interested in politics and philosophy, separated from her husband, travelled widely, had an affair with the writer Benito Pérez Galdós and started writing herself. The House of Ulloa (1886) is generally considered to be her masterpiece. She died in 1921.
"About this title" may belong to another edition of this title.