Rendell returns to a darkly atmospheric London to explore how the lives of a small group of people from very mixed backgrounds are affected dramatically by a series of apparently motiveless murders. The first girl had a bite mark on her neck, but the police traced the DNA to her boyfriend. Nevertheless, when the tabloids got hold of the story, they immediately called the killer 'The Rottweiler', and the name stuck. The latest body was discovered very near Inez Ferry's antique shop in Marylebone. Someone spotted a shadowy figure running away past the station, but couldn't say for sure if it was a man or a woman. There were only two other clues. The murderer seemed to have a preference for strangling his victims and then removing something personal - like a cigarette lighter or a necklace...Since her actor husband died, too early into their marriage, Inez supplemented her modest income by taking in tenants above the shop. The unpredictably obsessive activities of 'The Rottweiler' would exert a profound influence on this heterogeneous little community, especially when the suspicion began to emerge that one of them might be a homicidal maniac.
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The Rottweiler
Ruth Rendell's The Rottweiler centres on a small group of Londoners, one of whom is, as it happens, a serial killer. There is never any particular mystery to the omniscient narrator, or the reader listening to her, as to who the killer is--the questions at stake are: who is going to fall under suspicion, whether the killer will be caught and why on earth the killer has this periodic urge to garotte a variety of women and steal an item of jewellery from them.
We spend a lot of time with some interesting flawed people--Inez, the widow obsessed with her late actor husband, in whose junk shop the killer occasionally dumps clues; Will, the beautiful stupid boy whose aunt is torn about the prospect of a life spent looking after him; Zeinab, the young woman who may or may not have a violently jealous father and certainly has too many fiancées. We see these people through their own indulgent eyes and through the more jaundiced, but hardly more accurate eyes of killer and investigating police--Rendell is intelligent about self-deception and inner lives and the way we construct parts of our own identity through self-interested disapproval of others. --Roz Kaveney
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