In poised and elegant prose, Kathryn Harrison weaves a stunning story of women, travel, and flight; of love, revenge, and fear; of the search for home and the need to escape it. Set in alluring Shanghai at the turn of the century, The Binding Chair intertwines the destinies of a Chinese woman determined to forget her past and a Western girl focused on the promises of the future.
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One of the women in Kathryn Harrison's The Binding Chair has a mind "which had always suffered from morbid imaginings." Harrison could be telling a gentle joke on herself here, for she has stuffed her novel with such imaginings. Here are broken fingers, abortions, Marathon Man-style dentistry, sodomy (not in a good way), and even an abused chicken. One particular morbidity, though, is the spur of the tale.
May, a young Chinese woman, suffers the brutal ritual of foot binding at the turn of the last century. The book follows May from a bad marriage (think Raise the Red Lantern) to Shanghai, "the infamous city of danger and opportunity." May--either despite or because of her foot's deformity--is considered a woman of astonishing beauty. "Each part of May, her cuticles and wristbones and earlobes, the blue-white luminous hollow between her clavicles, inspired the same conclusion: that to assemble her had required more than the usual workaday genius of biology." Her beauty, her fetishistically bound feet, and her quick mastery of a handful of languages earn her a pile of money and finally a Western husband.
May develops a close relationship with her husband's Jewish family, especially with her unruly niece Alice. Harrison's scrupulously researched novel follows the two of them from Shanghai to London and back again, encountering along the way a colorful cast of women who've all suffered a disfigurement, mental or physical, that echoes May's. Finally several of the women come together in Nice, where each works out her destiny. The Binding Chair is far-flung, geographically and emotionally, and never quite coalesces, but perhaps the author was intentionally seeking to make a story about the Chinese and the Jews that has a feeling of diaspora. You've got to hand it to Harrison. Most writers, upon developing a fascination with Shanghai, would write a nice article for Travel & Leisure and have done with it. Kathryn Harrison has forged an ambitious novel. --Claire DedererFrom the Inside Flap:
In poised and elegant prose, Kathryn Harrison weaves in The Binding Chair; or, A Visit from the Foot Emancipation Society a stunning story of women, travel, and flight; of love, revenge, and fear; of the search for home and the need to escape it. Set in alluring Shanghai at the turn of the century, The Binding Chair intertwines the destinies of a Chinese woman determined to forget her past and a Western girl focused on the promises of the future.
Beautiful, charismatic, destructive, May escapes an ar-ranged marriage in rural nineteenth-century China for life in a Shanghai brothel, where she meets Arthur, an Australian whose philanthropic pursuits lead him into one scrape after another. As a member of the Foot Emancipation Society, Arthur calls on May not for his pleasure but for her rehabilitation, only to find himself immediately and helplessly seduced by the sight of her bound feet. Reforming May is out of the question, so love-struck Arthur marries her instead and brings her home to live with him, his sister and brother-in-law, and their two girls, Alice and Cecily. In Alice, May sees the possibility of redemption: a surrogate for a child she has lost. And it is to May that Alice turns for the love her own mother withholds. But when the twelve-year-old is caught preparing her aunt's opium pipe, she is shipped off to a London boarding school, far from the dangerous influence of the woman who will come to reclaim her and to control the whole family.
The Binding Chair unfolds among scenes of astonishing beauty and cruelty, in a lawless place where traditions and cultures clash, and where tragedy threatens a world built on the banks of unsettled waters--from the bustling Whangpoo River to the lake of blood in the Chinese afterworld. By turns shocking, exquisite, and hilarious, The Binding Chair is another spellbinding literary triumph by the writer whose work Michiko Kakutani of The New York Times has called "powerful and hypnotic."
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