Wells is a Louisiana-born Seattle actress and playwright; her loopy saga of a 40-year-old player in Seattle's hot theater scene who must come to terms with her mama's past in steamy Thornton City, Louisiana, reads like a lengthy episode of Designing Women written under the influence of mint juleps and Faulkner's Absalom, Absalom!. The Ya-Yas are the wild circle of girls who swirl around the narrator Siddalee's mama, Vivi, whose vivid voice is "part Scarlett, part Katharine Hepburn, part Tallulah." The Ya-Yas broke the no-booze rule at the cotillion, skinny-dipped their way to jail in the town water tower, disrupted the Shirley Temple look-alike contest, and bonded for life because, as one says, "It's so much fun being a bad girl!"
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Siddalee Walker's mother Vivi disowns her daughter when a reporter, who interviews the 40-year-old, successful director, describes her mother as a "tap dancing child abuser". Devastated, Sidda postpones her wedding. The Ya-Yas, Vivi's strong circle of friends since childhood, are horrified and agree to send Siddalee the scrapbook of "Divine Secrets" to try and help her to understand her mother and herself.
Sidda submerges herself in the wild, wondrous and wicked world of the Ya-Yas as she reads through half-a-century's worth of letters and clippings contained in the Ya-Ya Sisterhood's parcel of "Divine Secrets". Middle-class Louisiana quakes as the quartet makes its way through adolescence: from being disqualified from the Shirley-Temple-look-a-like competition because Teensy did a "poot", to attending the premiere of Gone with the Wind in Atlanta, only for Vivi's hoop skirt, "much to her confusion, to go entirely over the head of the person sitting in the seat in front of her", to spending a night in jail after floating naked on a hot southern evening in the town's water cooler.
Rebecca Wells, author of Little Altars Everywhere (in which Siddalee Walker describes the anguishes of childhood), has created a beautifully crafted, penetrating insight into society, friendship, the mother/daughter divide and religion. No subject is taboo as you dip in and out of the lives of Vivi, Teensy, Caro and Necie--the Ya Yas. --Nicola Perry
When Siddalee Walker, eldest daughter of Vivi Abbott Walker (Ya-Ya extraordinaire - part Scarlett, part Katharine Hepburn, part Tallulah) is interviewed about a hit play she has directed, her mother is described as a 'tap-dancing child abuser'. Enraged, Vivi disowns Sidda - devastating her daughter who postpones her wedding and puts her life on hold until she is granted forgiveness. Trying to repair the relationship, the Ya-Yas, Vivi's intrepid tribe of Louisiana girlfriends, sashay in and insist Sidda is sent 'The Divine Secrets of the Ya-Ya Sisterhood', a scrapbook of their lives together from the day in 1932 when they were disqualified from a Shirley Temple lookalike contest for unladylike behaviour. Expected to raise babies, not Cain, the Ya-Yas are bonded for life in an unforgettable exploration of the complexities of mother-daughter relationships and the power of female friendship.' One of those rare books you'll be pressing on all your friends' She
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