"We are swinging high, flying way up, higher than in real life. And when I look down, I see all the ordinary stuff--our brick house, the porch, the tool shed, the clothesline, the chinaberry tree. But they are all lit up from inside so their everyday selves have holy sparks, they'd go and kneel in front of them and pray and just feel good. Somehow the whole world looks like little altars everywhere."
Little Altars Everywhere is a national bestseller, a companion to Rebecca Wells's celebrated novel Divine Secrets of the Ya-Ya Sisterhood. Originally published in 1992, Little Altars introduces Sidda, Vivi, the rest of the spirited Walker Clan, and the indomitable Ya-Yas. It is now available for the first time in hardcover.
Told in alternating voices of Vivi and her husband, Big Shep, along with Sidda, her siblings Little Shep, Lulu, Baylor, and Cheney and Willetta--the black couple who impact the Walkers' lives in ways they may never fully comprehend--Little Altars embraces nearly thirty years of life on their plantation in Thorton, Louisiana, where the cloying air of the bayou and a web of family secrets of once shelter, trap, and define an utterly original community of souls.
Who can resist the rich cadences of Sidda Walker and her flamboyant, secretive mother, Vivi? Here, the young Sidda--a precocious reader and an eloquent observer of the fault lines that divide her family--leads us her mischievous adventures at Our Lady of Divine Compassion parochial school and beyond. A Catholic girl of pristine manners, devotion, and provocative ideas, Sidda is the very essence of childhood joy and sorrow.
In a series of luminous reminiscences, we also hear Little Shep's stories of his eccentric grandmother, Lulu's matter-of-fact account of her shoplifting skills, and Baylor's memories of Vivi and her friends, the Ya-Yas.
Beneath the humor and tight-knit bonds of family and friendship lie the undercurrents of alcoholism, abuse, and violence. The overlapping recollections of how the Walker's charming life uncoils to convey their heartbreaking confusion are at once unsettling and familiar. Wells creates an unforgettable portrait and funny attempts to keep reality at arm's length. Through our laughter, we feel their inevitable pain, with a glimmer of hope for forgiveness and healing.
An arresting combination of colloquialism, poetry, and grace, Little Altars Everywhere is an insightful, piercing, and unflinching evocation of childhood, a loving tribute to the transformative power of faith, and a thoroughly fresh chronicle of a family that is as haunted as it is blessed.
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Siddalee, once again, is the hub of the stories, a smart and sensitive raconteur, but the other children also take their part in unpicking the legend that is Vivi. Here Vivi Walker is larger than life and twice as scary, a sort of Mommie Dearest character where affectionate gestures are tainted with inappropriateness, and repressed anger and boredom snakes out into harsh violence. All her children are damaged in some way. Lulu becomes the town's best shop lifter, "The Princess of Gimme", whilst Baylor is depressed and emotionally "parked at the edge of a graveyard." Little Shep's story "Snuggling" goes a long way to explaining the crazy sadness of the Walker children; it tells of Vivi climbing into bed with him: "She looked at me and whispered, Give me a hug, Little Shep, give me a hug and a kiss ... then she reached down and started to rub her hand across one of my nipples." And "Willetta's Witness" brings on the darkness as all four children are "lined up against the wall of that brick house and everyone of them buck naked. Miz Vivi out there with a belt, whuppin' them like horses". Despite all this Little Altars isn't a depressing read; the whiplash wit and the whiskey phrases add some measure of merriment to the misery. --Eithne Farry
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