Items related to Land Breakers
Harper Lee says, "John Ehle's meld of historical fact with ineluctable plot-weaving makes 'The Land Breakers' an exciting example of masterful storytelling. He is our foremost writer of historical fiction." Robert Morgan, author of Oprah pick 'Gap Creek,' says 'The Land Breakers' is a "complex, compelling story of settlement and discovery, it introduced readers to the Blue Ridge past, to explorers, families, the land. The land that is broken is itself a major, unforgettable character in this vivid, memorable story." Set in 1779, 'The Land Breakers' follows young Mooney and Imy Wright deep into the Appalachian wilderness where they become the first white pioneers to settle deep in the mountains of Western North Carolina. "What ensues during these six years is an often violent struggle: first merely to survive and then to create a viable settlement, some human community that might last. For in this stark mountain fastness, each of the important characters-male and female alike-is seeking two things: family and community." (from the Afterword, by Terry Roberts) First published in 1964 by Harper & Row, 'The Land Breakers' returns to print as a Press 53 Classic. As Hal Borland wrote, in his 1964 New York Times review, "In a time of dreamless heroes, of long-winded whimpers that pass as novels, The Land Breakers has a rare degree of greatness."
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Review:
About the Author:
The Land Breakers is a great American novel, way beyond anything most New York literary icons have produced.” —Michael Ondaatje, from “My Book of the Decade,”
(Globe and Mail)The Land Breakers is one of the best recreations of our pioneer past that we have had in years, honest and compassionate, rich and true...In a time of dreamless heroes, of long-winded whimpers that pass as novels, The Land Breakers has a rare degree of greatness.
(The New York Times)John Ehle’s meld of historical fact with ineluctable plot-weaving makes The Land Breakers an exciting example of masterful storytelling. He is our foremost writer of historical fiction
(Harper Lee)It’s what every novel should aspire to be: Red-blooded, broad, thrilling, and full of life and wisdom.
(Pinckney Benedict)Sometimes raw as winter wind, sometimes gentle as a summer night, Ehle has made his land breakers a believable group of individuals driven by ancient hungers into a new country.
(Chicago Tribune)Some of the best portrayal of eighteenth-century mountain settlement I’ve ever read. The book reads like living history, and I can only wonder how I’ve missed this author all these years...I could recommend this book simply for Ehle’s vivid portrayal of the purely practical struggle of pioneering life, both its hardships and its frolics, its triumphs and tragedies—but it’s also a riveting story, with scenes that will remain alive for me for a long time...more harrowing than anything I’ve read in a long while.
(Lori Benton)It is raw and full of fine detail and fresh language, even if it is the language of doing, not reflecting, and man’s true nature remains as opaque and violent as nature...In addition to being a damn good story, The Land Breakers is, for me, like finding the source material for countless articles in Mother Earth News.
(Don Silver)Ehle’s people, all of them, are splendid...Ehle’s prose is exactly suited to his subject and setting. His people talk the way North Carolina mountain people talk; there is nothing stilted or artificial about his dialogue. And his descriptive prose is quite marvelous; it has an air of country formality and mannerliness that is thoroughly distinctive.
(The Washington Post)Ehle is as scrupulous and effective in bringing to vigorous life the minutiae of daily events, the physical ordeal of mud-stained animals and men blasting, cutting and bleeding the mountainside, the sensuous lust and glow of a woman’s body in the firelight, the delicate tracery of a mountain fern by a rushing brook, as he is in shaping his tale to a larger legend of man’s spiritual quest, of building a road to Xanadu and to Zion.
(Chicago Tribune)The Land Breakers broke fresh ground and opened a new world for Southern and Appalachian fiction when it was first published in 1964. A complex, compelling story of settlement and discovery, it introduced readers to Blue Ridge past, to explorers, families, the land. The land that is broken is itself a major, unforgettable character in this vivid, memorable story. Now, four decades later, John Ehle’s novel still delights, still inspires, still leaves its spell on the reader
(Robert Morgan)JOHN EHLE (b. 1925) grew up the eldest of five children in the mountains of North Carolina, which would become the setting for many of his novels and several works of nonfiction. Following service in World War II, Ehle received his BA and MA at the University of North Carolina at Chapel Hill, where he met the playwright Paul Green and began writing plays for the NBC radio series American Adventure. He taught at the university for ten years before joining the staff of the North Carolina governor Terry Sanford, where Ehle was a “one-man think tank,” the governor’s “idea man” from 1962 to 1964. (Sanford once said of Ehle: “If I were to write a guidebook for new governors, one of my main suggestions would be that he find a novelist and put him on his staff.”) The author of eleven novels, seven of which constitute his celebrated Mountain Novels cycle, and six works of nonfiction, Ehle divides his time between Winston-Salem, North Carolina, and New York City. He is married to the actress Rosemary Harris, with whom he has one daughter, Jennifer Ehle, also an actress.
LINDA SPALDING was born in Kansas and moved to Canada in 1982. She has written four novels, Daughters of Captain Cook, The Paper Wife, Mere (co-written with her daughter, Esta), and most recently, The Purchase, for which she received the Governor General’s Award. Among her nonfiction books are A Dark Place in the Jungle: Science, Orangutans, and Human Nature and Who Named the Knife: A True Story of Murder and Memory. Spalding is an editor of the journal Brick and has been awarded the Harbourfront Festival Prize for her contributions to Canadian literature.
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- PublisherHarperCollins
- Publication date1964
- ISBN 10 0060111704
- ISBN 13 9780060111700
- BindingPaperback
- Rating
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