"This fascinating and detailed book about acting is Miss Hagen′s credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." — Publishers Weekly "Uta Hagen′s Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. crafts–woman. An illuminating discussion of the standards and techniques of enlightened stage acting." — Brooks Atkinson "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her ‘object exercises’ display a wealth of detail with which to stimulate the student preparing a scene for presentation." — Library Journal "Respect for Acting is a simple, lucid and sympathetic statement of actors′ problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." — Harold Clurman "Uta Hagen′s Respect for Acting…is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." — Los Angeles Times "Uta Hagen is our greatest living actor; she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her." — Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind–the–scenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "How–To" kind I′d give it four curtain calls, and two hollers of "Author, Author — King Features Syndicate
"synopsis" may belong to another edition of this title.
The performer and teacher guides the actor in overcoming the human and technical problems of his art.About the Author:
UTA HAGEN was born in Germany in 1919 and made her Broadway debut in 1938 as Nina in the Lunt–Fontanne production of The Sea Gull. Among some of the twenty or more Broadway productions in which she has starred are: Othello , Key Largo , A Streetcar Named Desire , The Country Girl , Saint Joan , and Who′s Afraid of Virginia Woolf? Recently she starred in the Twentieth–Century Fox film The Other . Even during her playing engagements she has never stopped teaching at the HB Studio. Geraldine Page, Fritz Weaver, Jason Robards, Jack Lemmon, Steve McQueen are only a few of the many fine actors she has helped to send on their way. She has also performed and directed at the HB Playwright′s Foundation in numerous productions. Miss Hagen has been ably assisted in the writing of this book by Haskel Frankel, drama critic of The National Observer .
"About this title" may belong to another edition of this title.
Book Description Macmillan, 1973. Hardcover. Book Condition: New. book. Bookseller Inventory # 0025473905
Book Description Macmillan. Hardcover. Book Condition: New. 0025473905 New book. Dust jacket in protective milar cover. Bookseller Inventory # G10-424
Book Description Macmillan, 1973. Hardcover. Book Condition: New. 1. Bookseller Inventory # DADAX0025473905
Book Description Macmillan, 1973. Hardcover. Book Condition: New. Bookseller Inventory # P110025473905