"synopsis" may belong to another edition of this title.
‘Focused and concise... wonderfully open-minded’
Rupert Christiansen, Sunday Telegraph
‘Almost as good as a ticket to Bayreuth’
Stephen Moss, Guardian Books of the Year
‘Though volumes ahve been written about the composer, Michael Tanner’s Wagner breaks new ground’
Anthony O’Hear, Daily Express
Whilst no one would dispute Wagner's ranking amongst the most significant composers in the history of Western music, his works have been more fiercely attacked than those of any other composer. A racist, womaniser, megalomaniac and anti-Semite, Wagner’s personal 'defects' have provoked, and continue to provoke, intense hostility which has translated into a mistrust and abhorrence of his music.
In this emphatic, lucid book Michael Tanner discusses why people feel so passionately for or against Wagner, in a way that don't about other artists with equally lamentable personal traits. He lays out the various arguments made by Wagner's detractors and admires, and challenges most of them.
Tanner's fascination for the relationship between music, text and plot generates an illuminating discussion of the operas, in which he persuades us to see many of Wagner's best-known works afresh – 'The Ring, Tristan und Isolde, Parsifal'. He refrains from lengthy and detailed musical examination, giving instead passionate and unconventional analyses which are accessible to all lovers of music, be they listeners or performers.
In this fiery reassessment of one of the greatest composers in the history of opera Tanner presents the most intelligent and controversial portrait of Wagner to emerge for many years.
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Book Description Paperback. Condition: new. Paperback. A fine, intellectually sparkling and always engaging little book a welcome addition to any Wagner libraryHans Vaget, Opera QuarterlyWhilst no one would dispute Wagners ranking among the most significant composers in the history of Western music, his works have been more fiercely attacked than those of any other composer. His supposed personal defects have provoked intense hostility which has translated into a mistrust and abhorrence of his music. Tanners fascination for the relationship between music, text and plot generates and illuminating discussion of the operas, in which he persuades us to see many of Wagners best-know works afresh. His passionate and unconventional analyses are accessible to all lovers of music, be they listeners or performers. A fine, intellectually sparkling and always engaging little book a welcome addition to any Wagner libraryHans Vaget, Opera Quarterly Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780007291441
Book Description Paperback. Condition: Brand New. 260 pages. In Stock. Seller Inventory # __0007291442
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