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'The Creative Gift' - an article about The Piano Teacher by Janice Y. K. Lee
‘But this I know; the writer who possesses the creative gift owns something of which he is not always master, something that at times strangely wills and works for itself.’ So wrote Charlotte Brontė, perfectly capturing the mystery of the writer’s craft. What is it that inspires authors to put pen to paper: curiosity, sympathy, passion, obsession? In her own words, Janice Y. K. Lee reveals some of the influences that compelled her to write The Piano Teacher...
The Piano Teacher started as a short story about Claire and Locket, an Englishwoman and a Chinese girl in 1950s Hong Kong. I was born and raised in Hong Kong myself and had always been tantalized by glimpses of the old colonial order and how it existed in uneasy proximity with local society, both high and low. Trudy was the next character to emerge and she sprang fully formed off the page, vivid and alive; then Will arrived, more measured but still surprisingly real at his birth. With no idea what these characters had come to do, but knowing that they belonged in the same story, I just kept writing about what they said to each other, what they did, where they did it. I had no map, no outline, just a sense that it might all work out. Over the next five years, I read extensively about the period and noted details of dress, speech, social custom, internalized all that, and slowly, slowly, the characters started to breathe. I would wake up and realize that Claire was going to the beach that day, or I would hear a snippet of conversation and know that Trudy would be making fun of the people talking.
I did not know where The Piano Teacher would end up, and many times towards the end, I was scratching my head trying to get my characters out of the sticky situations I had got them in. But I just kept at it.
As to the larger question, what is it that inspires authors to put pen to paper, I have no idea. A perverse push against the unknown, the unsaid? An irrepressible, foolhardy compulsion to say something in a world where too much is said already? For me, busy with life and children and living, writing provided a place for my old self to reside, something that was mine, and that I did not have to share. That was priceless.
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Book Description Hardcover. Condition: LIKE NEW. y First Edition. HARDBACK SHIPPED FROM THE UK* Edition: 1st. Reprint.* Impression: 1st. * Date of Publication: 2009* Publisher: Harper Press* Binding and cover condition: Black cloth, White title to spine. One small dent to top of rear board. No Rubs, FINE* Jacket condition: NOT PRICE CLIPPED, showing shelf price of Ā£ 12.99, some very minor shelf wear, FINE* Contents condition: PRIVATE COPY NOT EX-LIBRARY, patterned and coloured eps, clean, crisp, tight and bright. No inscriptions or annotations, FINE* Illustrations: None.* Pages: 334 pp.text. xii pp. Advertisements, No Index.* A lovely novel - it has an old-fashioned solidity and craftsmanship and effortlessly recreates the atmosphere of post-war Hong Kong. An impressive debut, which explores the moral ambiguities of war, culture, race and romantic love.* 2009-02-05. n. Seller Inventory # 2537
Book Description Hardcover. Condition: New. Dust Jacket Condition: Slipcase. Signed Limited Numbered. A fine unread Signed limited edition [number 8 out of 250 copies] in a fine slipcase. Signed by the Author on the limitation page. Signed by Author(s). Seller Inventory # 008856