Continuing the outstanding success of The Last Kingdom, this is the second installment of Bernard Cornwell’s fantastic series, following the fate of Alfred the Great ,and the forging of Britain.
It is the lowest time for the Saxons. Defeated comprehensively by the Vikings who now occupy most of England, Alfred and his very small group of surviving followers retreat to the trackless marshlands of Somerset. There, forced to move restlessly to escape betrayal or detection, using the marsh mists for cover, they travel by small boats from one island refuge to another, hoping that they can regroup and find some more strength and support.
Only Uhtred remains resolute. Determined to discover the enemy's strategies, he draws once again on his Viking upbringing, and attempts to enter the Viking camps. His plan is to become accepted by their leaders, and to sit in their councils and uncover their plans. But once there, the attractions of his many friends among the Vikings coupled with his disillusion with the Saxons' leadership and anger at Alfred's criticism of his own conduct, draws him back again to his allegiance to the Vikings.
The Pale Horseman, an even more powerful and dramatic book than The Last Kingdom, brings both Uhtred and the Saxons' dilemmas vividly to life.
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No need for suspense -- The Pale Horseman is just as exhilarating a recreation of an age of heroes as its predecessor, delivered with the brio that is the author's trademark. Uhtred was born in Northumbria but rais! ed as a Viking. Married to a Saxon, he has achieved fame as a doughty warrior. But the more reflective Alfred has problems with the aggressive, self-serving manner of his young friend. An alliance, though, is necessary: these two are the sole remnants of those who commanded Wessex, after ill-judged bargains have destroyed the union. The Vikings now reign over most of England, and Alfred and his company are obliged to hide in the swampy netherland of Athelney, trying to regain the support they once enjoyed. Uhtred cannot shake off his Viking training, but finds himself acquiring an admiration for Alfred, who he comes to sense is a great man. As the narrative progresses, the conflict between the two men must be resolved before bloody battles will change the fate of England.
One expects the heroic endeavours of Bernard Cornwell's novels to be dispatched with panache, but there is another element which his admirers rely on: the conflict between his strongly drawn characters,! exemplified here by the two proud leaders. It'll take a while! before this new sequence achieves the immense popularity of the Sharpe novels, but the auguries are good. --Barry Forshaw
Praise for The Pale Horseman:
‘Bernard Cornwell is a literary miracle. Year after year, hail, rain, snow, war and political upheavals fail to prevent him from producing the most entertaining and readable historical novels of his generation.' Daily Mail
'Cornwell's narration is quite masterly and supremely well-researched.' Observer
‘It is stirring stuff, and few writers are better qualified than Cornwell to do justice to the excitement of the times...Ninth-century Britain and a master of storytelling – it is a marriage made in heaven.’ Sunday Telegraph
‘Cornwell’s mastery of historical sources and his aptitude for battle scenes is well established...the language, and particularly the dialogue, is raw and unarchaic, rich in insults and Anglo-Saxon expletives.’ Times Literary Supplement
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