The life story of Isabel Allende – one of the world's favourite writers – is as exotic, passionate and inspiring as one of her novels.
Just three when her parents divorced, Isabel Allende was raised in her grandparents' home in Chile. She left school at 16; and married Miguel Frķas at 19. She then juggled her work as a journalist, editor, advice columnist and television interviewer with looking after her two children.
But when her cousin the Chilean president Salvador Allende was assassinated in 1973 in Pinochet's right-wing military coup, her life changed profoundly. It was too dangerous to stay in Chile; and she, her husband, and their two children fled to Venezuela. During her impoverished exile, she started writing ‘The House of the Spirits’. Based on her memories of her family and the political upheaval in her native country, it became an international bestseller and everything changed again...
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"From saying goodbye so often my roots have dried up," she notes. She successfully reclaims them, however, through two channels. Allende relays anecdotes about what she calls her untraditional family--whom she has based some of her novels upon, including The House of the Spirits. Like a few of her novels, though, her own story is lost in heavy policy analysis. Interspersed among her ancestors' tales is an all-too-exhaustive report of Chile: the terrain, its people, customs and language, its heroes and villains and its government.
Allende fled Chile after the military coup on September 11, 1973. Twenty-eight years later and now living in the United States, she is haunted by this date when terrorists attack New York City and Washington, DC. Allende admits that the place she is homesick for may have never existed. In spite of that, Allende asserts that she can live and write anywhere: "I don't belong to one land, but to several, or perhaps only to the ambit of the fiction I write." The irony is that she steadfastly has "one foot in Chile and another here". --C.J. Carrillo, Amazon.com
‘Allende’s writing is so vivid we smell the countryside, hear the sounds, see the bright birds, the scorched earth, smell and even taste the soft fruit.’ The Times
‘Allende has a gift for conversational writing and a sharp sense of humour...I very much enjoyed this visit to the other Chile, that half-remembered country of her imagination.’ New Statesman
‘Allende is incapable of telling a bad story. She writes of her own experience with a kind of wild candour. Her heroically sustained narrative, her lovingly prepared plots and surprise inventions explode in an exaltation.’ Independent
‘Lucid, original and expounded with an unquestionable sense of humor...part essay and part autobiography...When Allende poses sweeping general truths, she leaves room for argument...But the book gets my undivided attention when it expounds on the relationship of the author to that country of hers, invented, imaginary, fictional, to the story of her family, which is itself invented memory, and to her vocation as a narrator...It will provoke curiosity. And that is where everything begins.’ LA Times
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