Penelope Fitzgerald’s Booker Prize-winning novel set among the houseboat community of the Thames.
‘Offshore’ is a dry, genuinely funny novel, set among the houseboat community who rise and fall with the tide of the Thames on Battersea Reach. Living between land and water, they feel as if they belong to neither…
Maurice, a male prostitute, is the sympathetic friend to whom all the others turn. Nenna loves her husband but can’t get him back; her children run wild on the muddy foreshore. She feels drawn to Richard, the ex-RNVR city man whose converted minesweeper dominates the Reach. Is he sexually attractive because he can fold maps the right way? With this and other questions waiting to be answered, ‘Offshore’ offers a delightful glimpse of the workings of an eccentric community.
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Penelope Fitzgerald’s Booker Prize-winning novel of loneliness and connecting is set among the houseboat community of the Thames and has a new introduction from Alan Hollinghurst.
On Battersea Reach, a mixed bag of the temporarily lost and the patently eccentric live on houseboats, rising and falling with the tide of the Thames.
There is good-natured Maurice, by occupation a male prostitute, by chance a receiver of stolen goods. And Richard, an ex-navy man whose boat, much like its owner, dominates the Reach. Then there is Nenna, an abandoned wife and mother of two young girls running wild on the muddy foreshore, whose domestic predicament, as it deepens, will draw this disparate community together.Review:
Offshore possesses perfect, very odd pitch. In just over 130 pages of the wittiest and most melancholy prose, Penelope Fitzgerald illuminates the lives of "creatures neither of firm land nor water"--a group of barge-dwellers in London's Battersea Reach, circa 1961. One man, a marine artist whose commissions have dropped off since the war, is attempting to sell his decrepit craft before it sinks. Another, a dutiful businessman with a bored, mutinous wife, knows he should be landlocked but remains drawn to the muddy Thames. A third, Maurice, a male prostitute, doesn't even protest when a criminal acquaintance begins to use his barge as a depot for stolen goods: "The dangerous and the ridiculous were necessary to his life, otherwise tenderness would overwhelm him."
At the centre of the novel--winner of the 1979 Booker Prize--are Nenna and her truant six- and 11-year-old daughters. The younger sibling "cared nothing for the future, and had, as a result, a great capacity for happiness." But the older girl is considerably less blithe. "Small and thin, with dark eyes which already showed an acceptance of the world's shortcomings," Fitzgerald writes, she "was not like her mother and even less like her father. The crucial moment when children realise that their parents are younger than they are had long since been passed by Martha."
Their father is farther afield. Unable to bear the prospect of living on the Grace, he's staying in Stoke Newington, part of London but a lost world to his wife and daughters. Meanwhile, Nenna spends her time going over incidents that seem to have led to her current situation, and the matter of some missing squash racquets becomes of increasing import. Though she is peaceful by nature, experience and poverty are wearing Nenna down. Her confidante Maurice, after a momentary spell of optimism, also returns to his life of little expectation and quiet acceptance: "Tenderly responsive to the self-deceptions of others, he was unfortunately too well able to understand his own."
Penelope Fitzgerald views her creations with deep but wry compassion. Having lived on a barge herself, she offers her expert spin on the dangers, graces and whimsies of river life. Nenna, too, has become a savant, instantly recognizing on one occasion that the mud encasing the family cat is not from the Reach. This "sagacious brute" is almost as complex as his human counterparts, constantly forced to adjust her notions of vermin and authority. Though Stripey is capable of catching and killing very young rats, the older ones chase her. "The resulting uncertainty as to whether she was coming or going had made her, to some extent, mentally unstable."
As always, Fitzgerald is a master of the initially bizarre juxtaposition. Adjacent sentences often seem like delightful non sequiturs--until they flash together in an effortless evocation of character, era and human absurdity. Nenna recalls, for instance, how the buds had dropped off the plant her husband rushed to the hospital when Martha was born. She "had never criticized the bloomless azalea. It was the other young mothers in the beds each side of her who had laughed at it. That had been 1951. Two of the new babies in the ward had been christened Festival." Tiny comical epiphanies such as these have caused the author to be dubbed a "British miniaturist". Yet the phrase utterly misses the risks Fitzgerald's novellas take, the discoveries they make and the endless pleasures they provide.
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Book Description Hardback. Book Condition: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. Bookseller Inventory # GOR002151340
Book Description HarperCollins Distribution Services, 1979. Book Condition: Good. First Edition. N/A. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Bookseller Inventory # GRP21822098
Book Description Sep 03, 1979. Book Condition: Used: Good. Ex-library book, usual markings. Hardback with dust cover. Clean copy, sound binding. Quick dispatch from UK seller. Bookseller Inventory # M02_3910_BD_08/16
Book Description HarperCollins Distribution Services, 1979. Hardcover. Book Condition: Very Good. 0002216140 Second printing. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents. Bookseller Inventory # WF-JV-R281-B4-00102
Book Description Collins, London, 1979. Hard Cover. 8vo. FIRST EDITION. Book Condition: Good. Ex library used with some edge wear but clean and square. Dust Jacket: Good. Slight edge wear. In protective cover. Not Clipped. Bookseller Inventory # 002578
Book Description Collins, 1979. Hardcover. Book Condition: Near Fine. Dust Jacket Condition: Near Fine. Grey boards with gilt titles to the spine. Clean pages. Jacket is price clipped. 1st edition. Clean pages. 2nd print. Bookseller Inventory # 5430
Book Description Collins, London, 1979. Hardcover. Book Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st Edition. "Second Printing November 1979" as stated on the copyright page. Book Prizewinner 1979 flash on the bottom right corner of the dustwrapper. DJ price-clipped. Bookseller Inventory # 001824
Book Description Collins, 1979. Hardcover. Book Condition: Near Fine. Dust Jacket Included. 1st Edition. 1st edition 1st printing hardback in price clipped dustjacket. Book in VG+ condition, with no inscriptions. Jacket bright with some areas of foxing to flaps, as is common with this book and with slight lightening to spine. Not a book club edition, ex library or a remainder. Scans available on request.(K10). Bookseller Inventory # ABE-1473952405094
Book Description 1979. Paperback. Book Condition: Very Good. FIRST EDITION. 1979 Collins First Edition, second printing. A nice copy; very good condition in very good dustjacket. Bookseller Inventory # AC-DFCI-P62N
Book Description HarperCollins Distribution Services, 1979. Hardcover. Book Condition: Collectible - Like New. 1979. First Edition/First Printing. 141 pages. NF in like price clipped jacket. Hardback in excellent condition. AS NEW!!!! Great for gift giving! 1979-09-03. Bookseller Inventory # SKU-7000097