Editorial Reviews for this title:
A stunning examination of how tragedy affects a town, a marriage, and a family, for readers of Rosellen Brown's Before and After and Jane Hamilton's A Map of the World . That neither nature nor nurture bears exclusive responsibility for a child's character is self-evident. But such generalizations provide cold comfort when it's your own son who's just opened fire on his fellow students and whose class photograph--with its unseemly grin--is blown up on the national news. The question of who's to blame for teenage atrocity tortures our narrator, Eva Khatchadourian. Two years ago, her son, Kevin, murdered seven of his fellow high-school students, a cafeteria worker, and a popular algebra teacher. Because he was only fifteen at the time of the killings, he received a lenient sentence and is now in a prison for young offenders in upstate New York. Telling the story of Kevin's upbringing, Eva addresses herself to her estranged husband through a series of letters. Fearing that her own shortcomings may have shaped what her son has become, she confesses to a deep, long-standing ambivalence about both motherhood in general and Kevin in particular. How much is her fault? We Need to Talk About Kevin offers no pat explanations for why so many white, well-to-do adolescents--whether in Pearl, Paducah, Springfield, or Littleton--have gone nihilistically off the rails while growing up in suburban comfort. Instead, Lionel Shriver tells a compelling, absorbing, and resonant story while framing these horrifying tableaux of teenage carnage as metaphors for the larger tragedy--the tragedy of a country where everything works, nobody starves, and anything can be bought but a sense of purpose.
"'Once in a while, a stunningly powerful novel comes along, knocks you sideways and takes your breath away: this is it... a horrifying, original, witty, brave and deliberately provocative investigation into all the casual assumptions we make about family life, and motherhood in particular' Daily Mail 'This startling shocker strips bare motherhood... the most remarkable Orange prize victor so far' Polly Toynbee, Guardian 'One of the most striking works of fiction to be published this year. It is Desperate Housewives as written by Euripides... A powerful, gripping and original meditation on evil' New Statesman"
The Orange prize winning, million copy bestseller: now a Serpent's Tail classic, with a new foreword by Kate Mosse
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