Ilya Kabakov (Contemporary Artists) - Softcover

9780714837970: Ilya Kabakov (Contemporary Artists)
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Ilya Kabakov (b.1933) is recognized as the most important Russian artist to have emerged in the late twentieth century, with installations that speak as much about conditions in post-Stalinist Russia as they do about the human condition universally. His work has been exhibited at such major international venues as The Museum of Modern Art in New York (1991), the Centre Pompidou in Paris (1995) and the Stedelijk Museum in Amsterdam (1995).

Kabakov's installations are, in some instances, akin to theatrical mise-en-scènes, reproducing a cramped communal apartment or a flooded art museum as a site of schadenfreude-like comedies on human struggle and doomed aspirations. Alternating between light-hearted irony and deeply poignant tragedy, Kabakov evokes a shadowy world in which fable-like miracles might occur: a homespun cosmonaut may fly into space or the radio/television aerial may spell out a poem against the sky.

Boris Groys, an art critic and philosopher, surveys the artist's long career and analyses its philosophical and formal dimensions in terms of art history as well as the artist's own biogaphy. In the Interview, David A. Ross discusses the artist's practice and its bridging of Eastern and Western contemporary art. Iwona Blazwick, Director of the Whitechapel Art Gallery in London, concentrates on the artist's contribution to the 1997 Skulptur Projekte in Munster, Looking up. Reading the Words, a sculpture that dares to offer 'the very best thing that you have ever done or seen in your life'. An extract from the short story 'The Steppe' by Anton Chekhov comprises the Artist's Choice. The Artist's Writings range from extracts from his Kafka-esque The Life of Flies, to fictional letters of complaint on communal life in the Soviet Union, to texts on the significance to the artist of the legacies of Cezanne and Malevich.

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Review:

'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum)

'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out)

'A unique series of informative monographs on individual artists.' (The Sunday Times)

'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)

Synopsis:
Based in New York, Ilya Kabatov is considered the most important Russian artist to have emerged in the late-20th century. His installations are after akin to theatrical "mise-en-scenes", presenting a cramped communal apartment or a flooded art museum as though they are comedies on human frustration and doomed aspirations. Boris Groys, art critic and philosopher, surveys the artist's long career, analyzing its philosophical and formal dimensions in terms of art history, as well as the artist's biography. David A. Ross, Director of the Whitney Museum of American Art, New York, discusses the artist's bridging of eastern and western contemporary art practices. Curator at the Tate Gallery of Modern art, Iwona Blazwick concentrates on the artist's contribution to the Skulptur Projekte Munster 1997, "Looking up. Reading the words". Anton Checkov's short story, "The Steppe", mirrors Kabakov's own, uniquely Russian blend of irony and tragedy. The artist's writings, which include a short text on contemporary art in the former Soviet Union, an illustrated fairy-tale and an article on Cezanne complete this monograph.

The book is part of a series of studies of important artists of the late-20th century. Each title offers a comprehensive survey of the artist's work, providing analyses and multiple perspectives on contemporary art and its inspiration.

"About this title" may belong to another edition of this title.

  • PublisherPhaidon Press
  • Publication date1998
  • ISBN 10 0714837970
  • ISBN 13 9780714837970
  • BindingPaperback
  • Number of pages160
  • Rating

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Book Description Blanda. Condition: New. Dust Jacket Condition: Nuevo. No Aplica (illustrator). 0. Ilya Kabakov (b.1933) is recognized as the most important Russian artist to have emerged in the late twentieth century, with installations that speak as much about conditions in post-Stalinist Russia as they do about the human condition universally. His work has been exhibited at such major international venues as The Museum of Modern Art in New York (1991), the Centre Pompidou in Paris (1995) and the Stedelijk Museum in Amsterdam (1995). Kabakov's installations are, in some instances, akin to theatrical mise-en-scènes, reproducing a cramped communal apartment or a flooded art museum as a site of schadenfreude-like comedies on human struggle and doomed aspirations. Alternating between light-hearted irony and deeply poignant tragedy, Kabakov evokes a shadowy world in which fable-like miracles might occur: a homespun cosmonaut may fly into space or the radio/television aerial may spell out a poem against the sky. Boris Groys, an art critic and philosopher, surveys the artist's long career and analyses its philosophical and formal dimensions in terms of art history as well as the artist's own biogaphy. In the Interview, David A. Ross discusses the artist's practice and its bridging of Eastern and Western contemporary art. Iwona Blazwick, Director of the Whitechapel Art Gallery in London, concentrates on the artist's contribution to the 1997 Skulptur Projekte in Munster, Looking up. Reading the Words, a sculpture that dares to offer 'the very best thing that you have ever done or seen in your life'. An extract from the short story 'The Steppe' by Anton Chekhov comprises the Artist's Choice. The Artist's Writings range from extracts from his Kafka-esque The Life of Flies, to fictional letters of complaint on communal life in the Soviet Union, to texts on the significance to the artist of the legacies of Cezanne and Malevich. 1080 gr. Libro. Seller Inventory # 9780714837970LEA31276

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Book Description Taschenbuch. Condition: Neu. Neu neuware, importqualität, auf lager - After some thirty years as an 'unofficial' artist in the former Soviet Union, Ilya Kabakov first came to international recognition in the late 1980s. Now based in New York, he is considered the most important Russian artist to have emerged in the late twentieth century. His installations are often akin to theatrical mise-en-scenes, presenting a cramped communal apartment or a flooded art museum as though they are comedies on human frustration and doomed aspirations. Alternating between lighthearted irony and genuine tragedy, Kabakov evokes a shadowy world lit by a 20-watt bulb in which fable-like miracles might occur: a homespun cosmonaut may fly into space, or an ordinary radio/television aerial may spell out a poem against the sky. Seller Inventory # INF1000378111

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