Dance as Text: Ideologies of the Baroque Body (Oxford Studies in Dance Theory): Ideologies of the Baroque Body (Revised) - Softcover

Franko, Mark

Softcover

ISBN 10: 0199794014 ISBN 13: 9780199794010

Publisher: Oxford University Press, 2015

Synopsis

Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet over a hundred-year period, beginning in 1573, that spans the late Renaissance and early baroque. Utilizing aesthetic and ideological criteria, author Mark Franko analyzes court ballet librettos, contemporary performance theory, and related commentary on dance and movement in the literature of this period. Examining the formal choreographic apparatus that characterizes late Valois and early Bourbon ballet spectacle, Franko postulates that the evolving aesthetic ultimately reflected the political situation of the noble class, which devised and performed court ballets. He shows how the body emerged from verbal theater as a self-sufficient text whose autonomy had varied ideological connotations, most important among which was the expression of noble resistance to the increasingly absolutist monarchy. Franko's analysis blends archival research with critical and cultural theory in order to resituate the burlesque tradition in its politically volatile context. Dance as Text thus provides a picture of the complex theoretical underpinnings of composite spectacle, the ideological tensions underlying experiments with autonomous dance, and finally, the subversiveness of Moliere's use of court ballet traditions.

About this title

Review:

A revolutionary encounter with historical sources which Franko treats with erudition and imaginative analysis. (Dance Research)

It is not simply a question of 'seeing the new in the old,' but a recognition of the necessity of reconstruction for the purpose of aesthetic progress. (The Drama Review)

"Mark Franko is a choreographer, dancer, dance theorist, and dance scholar, and this book reflects the full range of his artistic and intellectual commitments. It is a profoundly interdisciplinary work, which takes as its subject French court dance between 1580 and 1670 but which speaks most urgently to choreographers of the late twentieth century." (Dance Research Journal)

About the Author:

Mark Franko was born in New York City and was a professional dancer before becoming a choreographer and a dance scholar. He has written six books and continues to choreograph and perform.

About this edition

• Publisher: Oxford University Press
• Publication date: 2015
• ISBN 10: 0199794014
• ISBN 13: 9780199794010
• Binding: Paperback
• Number of pages: 272