Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by London Consortium, 2003
ISBN 10: 0853159688ISBN 13: 9780853159681
Seller: Books From California, Simi Valley, CA, U.S.A.
Book
Paperback. Condition: Good. Cover and edges shows minor shelf wear. Pages are clean and intact.
Published by The London Consortium, 2002
ISBN 10: 0853159505ISBN 13: 9780853159506
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
Paperback. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.
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Published by Serpents Tail/Consortium, London, 1997
ISBN 10: 1852425180ISBN 13: 9781852425180
Seller: S. Howlett-West Books (Member ABAA), Modesto, CA, U.S.A.
Book First Edition
Hardcover. Condition: Very Good+. 1st British Edition; 1st Printing. This book is in Very Good+ condition and was issued without a dust jacket. The spine ends and corners of the book covers have some beginning bumping and rubbing. There is one rubbed nick to the bottom front corner of the book cover. The text pages are clean and bright. "Mosley started writing at 34 and has written every day since, penning more than forty books and often publishing two books a year. He has written in a variety of fiction categories, including mystery and afrofuturist science fiction, as well as nonfiction politics. His work has been translated into 21 languages. His direct inspirations include the detective fiction of Dashiell Hammett, Graham Greene and Raymond Chandler. Mosley's fame increased in 1992 when presidential candidate Bill Clinton, a fan of murder mysteries, named Mosley as one of his favorite authors. [6] Mosley made publishing history in 1997 by foregoing an advance to give the manuscript of Gone Fishin' to a small, independent publisher, Black Classic Press in Baltimore, run by former Black Panther Paul Coates. " (from Wikipedia).
Published by B.C.M./consortium, London, 1111
Seller: Victoria Bookshop, BERE ALSTON, DEVON, United Kingdom
Paperback. Condition: Good. 8vo. Wear and marks to covers. Slight watermark to top corner of covers. 31pp. White paper pictorial covers. Book.
Published by London Poetry Consortium, London, 1972
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Good. First edition. Oblong octavo. 23 [9, ads] pp. Illustrated in black and white from photographs. A single side-stapled gathering, including both card wrappers and a dustwrapper. Moderate creasing and foxing throughout, title page heavily foxed, good only. Includes portraits, short bios, and poems, by Pablo Neruda, Stephen Spender, Adrian Mitchell, and Brian Patten, as well as ads and festival information. The festival was held at the Royal Festival Hall on May 22, 1972.
Published by London Regeneration Consortium, 1988
Seller: Cambridge Rare Books, Cambridge, GLOUC, United Kingdom
softcover. Condition: GOOD. 1988. London Regeneration Consortium. softcover. GOOD softcover with image. edgewear. corners bumped. 15x11.
Published by London Poetry Consortium,, London,, 1972
First Edition
Paperback. Condition: Very Good. First Edition. Wraps. Oblong octavo. 23 [9, ads] pp. Illustrated in black and white from photographs. A single side-stapled gathering, including both card wrappers and a dustwrapper. Includes portraits, short bios, and poems, by Pablo Neruda, Stephen Spender, Adrian Mitchell, and Brian Patten, as well as ads and festival information. The festival was held at the Royal Festival Hall on May 22, 1972. Stapled wraps. Original publishers green covers, lettered black. Very good indeed.
Published by The Consortium Of London Presses, National Poetry Centre, London,, 1976
First Edition
Paperback. Condition: Very Good. First Edition. Wraps. Poetry. Experimental pieces. Slim 8vo.pp. 28. No date (1976)Original publisherÕs stapled wraps in bubblegum pink, lettered black. The line "Am I on my feet" was muttered by Marlon Brando through a mouthful of blood and teeth in the film 'On the Waterfront.'" "All the poems in this volume were found initially in the dialogue of films of the same title seen on television. In many cases they represent the entire dialogue/Action of the film is concerned. Then adapted and rearrangedÉ" Very good.
Paperback. Condition: Very Good. First Paperback Edition. 4to. pp 56. Paperback. Concrete poems. Very good.
Published by London: The Poetry Consortium, 1972
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Art / Print / Poster
Condition: Good. 80x60 cm. Color poster. Good. Bend on bottom left corner. Folded four times.
Published by Consortium Of London Presses At The National Poetry Centre ;, London, 1977
Seller: Stefan Schuelke Fine Books, Köln, NRW, Germany
Künstler: Upton, Lawrence ; Kitayama, Tamaki ; Burke, Herbert ; Claire, Paula ; Cheek, Chris ; Anderson, Gayle ; O'Huigin, Sean ; Finzi, Sylvia ; Cobbing, Bob . Verleger: Consortium Of London Presses At The National Poetry Centre . Herausgeber: Cobbing, Bob . Datum: 1977. Englisch . 4. O(Brief) Umschlag, beschriftet "ABCD", mit 45 lose (unpag.) Blatt + 2 Blatt Titelei, Vorwort (Jeremy Adler) und Inhaltsverzeichnis + 1 gefaltetes Blatt,; durchgehend, teils beidseitig bedruckte Schwarzweissphotokopien auf versch. Papieren. (komplett). Umschlag mit mehreren Anrissen. innen die Blaetter sehr gut erhalten.
Published by London/Delaware: Gollancz/Jonathan Cape/Pan Books/The Consortium Inc./Granta, 1975-2008, 2008
Seller: Yves G. Rittener - YGRbookS, Zürich, Switzerland
Book First Edition Signed
Hardcover. Condition: Neu. Dust Jacket Condition: Neu. 1. Auflage. 1. Grimus - London: Gollancz, 1975. First Edition, First Printing. Book is fine except for a small mark across fore edge and an ink spot on lower paste down. Dustwrapper with minimal rubbing along spine ends. Signed by the author on the title page. Laid in is a review slip. 2. Midnight's Children - London: Jonathan Cape, 1981. First Edition, First Printing. Boards marked, slight spotting to edges and endpapers, otherwise a very good copy in a near fine dustwrapper with only the slightest hint of fading on the spine. Signed on the title page. 3. Shame - London: Jonathan Cape, 1983. First Edition, First Printing. A fine copy in a fine dustwrapper, signed by the author upon publication. 4. The Jaguar Smile - London: Pan Books/Picador, 1987. First Edition, First Printing. Wrappers with some minor creases and rubbing, else fine with the usual paper browning. Signed by the author on the title page. 5. The Satanic Verses - No Place: Privately Printed, 1988. First Edition, First Printing. As New. A ring-bound photocopy of the fair copy of the author s typescript showing the final but very substantial holograph revisions and corrections in the author's hand on more than 100 pages. The front board depicting an exclusive alternative proof design for the dustwrapper, which differs from the one used on the proof copies and the regular editions. Copy V (in red) of the ten copies numbered I to X. Fine as issued and much more telling than any proof copy and as close to manuscript material as we will ever get.) 6. Is Nothing Sacred? - London: Granta, 1990. First Edition, First Printing. The Herbert Read Memorial Lecture 6 February 1990. Fine in wrappers. Signed by the author on the title page on publication. 7. Haroun and the Sea of Stories - London: Granta Books, 1990. First Edition, First Printing. Number 189 of 251 copies printed on Clan Book Wove and bound in calfskin leather, signed and numbered by the author. Fine as issued. 8. Imaginary Homelands - London: Granta Books, 1991. First Edition, First Printing. Book and dustwrapper fine. Signed by the author on the title page upon publication. His essays and criticism 1981-1991. Contains his rare declaration "Why I Have Embraced Islam" dropped from later editions. 9. "The Bedside Guardian 35". A very good copy of the Proof, privately published in 1991. Very rare. 10. "The Wizard of Oz" - London: BFI Film Classics, 1992. First Edition, First Printing. Signed by the author on the half title upon publication. 11. East, West - London: Jonathan Cape, 1994. First Edition, First Printing. Book and dustwrapper fine. Signed and dated ("6.10.94") by the author on the title page upon publication. 12. The Moor's Last Sigh - London: Jonathan Cape, 1995. First Edition, First Printing. Proof Copy. Wrappers with a small scratch on the front, else as new. A very low No. 36 in a limited edition of 1000 and signed by the author on the title page upon publication. 12. The Moor's Last Sigh - London: Jonathan Cape, 1995. First Edition, First Printing. Wrappers with a small scratch on the front, else book is as new. A low No. 36 in a limited edition of 1000 and signed by the author on the title page upon publication. 13. The Ground Beneath her Feet - London: Jonathan Cape, 1999. First Edition, First Printing. Leather bound book and slipcase are as new. No. 43 in a limited edition, signed and numbered by the author on the title page. 14. The Screenplay of Midnight's Children - London: Vintage, 1999. First Edition, First Printing. There was no hardcover edition. Signed by Rushdie on the title page. As new. 15. Fury - London: Jonathan Cape, 2001. First Edition, First Printing. Book and Dustwrapper fine. Signed by the author. 16. The Enchantress of Florence - London: Jonathan Cape, 2008. First Edition, First Printing. Number 5 of 100 copies signed by Rushdie. Fine in fine original slip case. Please note that we will have to add additional shipping costs to this collection. Signatur des Verfassers.