Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Éditions Buchet /Castel, Paris, 1988
Seller: Schueling Buchkurier, Münster, Germany
Paperback. 247 Seiten 300 gr. Einband etwas berieben, kleiner Bleistifteintrag auf Vorblatt, ein paar Seiten mit Knick unten, sonst sehr gut.
Published by Paris : Buchet Castel, 2001
ISBN 10: 2283018609ISBN 13: 9782283018606
Seller: Antiquariat Bookfarm, Löbnitz, Germany
Book
498 p. Book in good condition. 9782283018606 Sprache: Französisch Gewicht in Gramm: 550.
Published by Buchet/Castel, Paris, 1960
Seller: Librería Pérez Galdós, Madrid, Spain
Rústica. lomo deslucido. portadilla y primera hoja borde restaurado anterior propietario. 465 páginas.
8°. 336 S., sw-Abbildungen, broschiert (Papier altersbedingt leicht gebräunt; sonst gut erhalten) Sprache: französisch.
Published by Éditions Buchet / Castel, Paris,, 1975
ISBN 10: 2253002070ISBN 13: 9782253002079
Seller: Antiquariat Christoph Wilde, Düsseldorf, Germany
Book
160 S. Illustrierte Orig.-Broschur. Taschenbuch (= Le livre de poche 3987). - Rücken etwas nachgedunkelt; Papier leicht gebräunt. Handschriftlicher Eintrag auf hinterem Spiegel; ansonsten innen sauber. Gut erhaltenes Exemplar.
Published by Éditions Buchet / Castel, Paris,, 1976
ISBN 10: 2253012815ISBN 13: 9782253012818
Seller: Antiquariat Christoph Wilde, Düsseldorf, Germany
Book
192 S. Orig.-Broschur. Taschenbuch (= Le livre de poche / Bd. 1556). - Rücken aufgehellt; Papier leicht gebräunt. Handschriftlicher Eintrag auf hinterem Spiegel; ansonsten innen sauber. Gut erhaltenes Exemplar.
Published by Buchet/Castel,, Paris,, 1960
Seller: Il Muro di Tessa sas Studio bibl. di M., Milano, MI, Italy
In 8°, brossura edit., pp. 222, (2), coll. "La barque du soleil", conserva fascetta editoriale, fioriture ai tagli delle pp., per il resto esemplare molto buono, testo in francese. (g002).
Published by Buchet/Castel,, Paris,, 1965
Seller: Il Muro di Tessa sas Studio bibl. di M., Milano, MI, Italy
In 8°, brossura edit. (lievi bruniture al dorso), pp. 237, (3), conserva fascetta editoriale, esemplare molto buono. (g002).
Published by Buchet/Castel,, Paris,, 1958
Seller: Il Muro di Tessa sas Studio bibl. di M., Milano, MI, Italy
In 8°, brossura edit., pp. 203, (5), coll. "La barque du soleil", conservata fascetta editoriale, testo in francese, esemplare molto buono. (g002).
Published by Buchet - Castel, Paris (Parigi), 1952
Seller: Libreria Scripta Manent, ALBENGA, SV, Italy
Prefazione: Ameline A. . Pagine: 224 . Formato: 16° . Rilegatura: Brossura . Stato: Discreto . Caratteristiche: Senza copertina. Rifatta una anonima. Bruniture. In francese .
Published by Buchet Castel - Correa, Paris, 1958
Seller: Libreria antiquaria Atlantis (ALAI-ILAB), Torino, Italy
In 8°, pp. 203, (5). Brossura editoriale. Copia in buono stato. Collection: La barque du Soleil. For German customers: place the order on the Maremagnum website.
Published by Correa - Buchet - Castel, Paris, 1956
Seller: Libreria Scripta Manent, ALBENGA, SV, Italy
Traduzione: Roth Max dal tedesco . Pagine: 256 . Illustrazioni: 8 tavole fuori testo . Formato: 16° . Rilegatura: Brossura . Stato: Buono . Caratteristiche: In francese. Bruniture . Collana: Faits et gestes .
Published by Paris, Buchet/Castel, 1961
Seller: Antiquariat Uhlmann, Zürich, Switzerland
First Edition
Brosch. 8°, 115 S., 40 Abb. auf Tafeln. Gebrauchsspuriges Ex.: Einband unsauber, tlw. berieben u. randknittrig, Papier etw. gebräunt. EA dieser Ausgabe. (= [Une collection nouvelle, Nr.] 3). «Traduit de l'italien par Michèle Causse».
Published by Buchet/Castel, Paris, 1967
Seller: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
First Edition
Condition: Very Good. First Edition. 221 pp. Publisher's white wraps. First edition. Very Good with some light creasing, toning and light soiling to wraps, ding to rear cover near bottom, small stain to inside front cover and pages toned. One of the major works of 20th century radical thought in the original French. It galvanized Paris students in May 1968, continually inspired punk and the radical Left (anarchist, Marxist, postmodernist, etc.) in the '70s and beyond.
Published by Buchet/Castel, Paris, 1967
Seller: Indexbooks/Peter Gidal, London, United Kingdom
Very very good copy, somewhat lightly marked white covers as usual due to this particular semi-gloss card-paper, otherwise near fine. Truly groundbreaking imaginative polemical/theoretical/poetic book by the Situationist, sticking to ideas not personal power games. Separate from the rare ability to produce such a work, whether one sees it as a collage of plagiarisms or not, the bum was a Stalinist creep in everything from said plagiarism, his personal attacks on people including physical ones, his whining self-pity, his need of sugar-daddies to fund his lifestyle, his banal but dressed-up appropriation of every new thing the Left Bank had to offer, Hiroshima mon Amour s tediously reductive editing of "love" versus" politics" even whilst making a far more extreme film himself (based on another Oedipal fort/da relation with the Lettrist Isidore Isou and his film Venom and Eternity (1951/2). He tried to divide and rule the student groups at the Sorbonne during May 68, having arrived late and unneeded. He was the only "radical" who never once got stopped by the police, never once got arrested, and was personally a coward. He loved visiting Franco Spain with his billionaire film producer friend Lebovici, demeaning the proletariat waiters at every opportunity. True detournement of the society of the spectacle. Yet his seductiveness seemed to be based on pandering to a mixture of the Sturm und Drang phantasies of wealthy capitalist friends like Lebovici (whose producing of spectacle commercial cinema day in day out, as well as softcore porno Emmanuelle films, didn t bother him, au contraire), a wife on whose immoral earnings he lived well on (immoral in his, in their, terms, as she worked to produce, day and night, the spectacle of advertising, the main enemy, justified yet again as detournement, yet if others partook of advertising, and they were not rich benefactors, they d get smashed in the face. Or beaten up by his thugs, or attacked mercilessly in his endless writings, which he had a gang of women type out, as "typing and cooking are not man s work." And work is also not a man's work, if you're a pimp. Pandering to humanist liberal codes meant his popularity and Situationism s was brilliantly positioned to be co-opted accepted almost immediately (and that s a beneficent reading: it was (suddenly!) the intention all along to make a proletarian revolution when he read about that in Lukacs. As with many of his other undigested influences, strangely always just when something was newly published in France and the "hot tip" on the Left Bank, Debord hastily "discovered" and regurgitated it, or polemicized furiously against it. But it s quite disconcerting to realize how almost none of his aesthetic or literary predilections were long held, or deeply and problematically dealt with over time; his response was that of a true, fast, skimmer. Which also made him attractive (though it s hard to imagine now) to those similarly inclined, prior to expulsions carbon copied from Surrealism s schisms. And attractive apparently even to the odd damn good artist but intellectual joke, such as Yves Klein, sharing megalomaniac phantasies. Debord s offering was of a kind of Paris remake of the German lonely wanderer albeit in the city, swallowed with a notion of Marxist critique of capitalist fetishization/reification necessitating a dream of individual freedom. Thus a notion of art, when all is said and done, of "peak experience" in the endless self expression of the isolated male in a lonely crowd surrounded by spectacle. In the United States and Britain at the time, there were at least three best sellers dealing with just such. And there were political conflagrations, "riots" in Watts and prior to that in Newark, which Debord mystically claimed were the result of his critiques of society, rather than of society itself, a society of the spectacle, Cadillacs and policing and housing and health for the rich. Every new Hollywood film was advertis. Book.
Published by Buchet/Castel, Paris, 1967
Seller: Burnside Rare Books, ABAA, Portland, OR, U.S.A.
First Edition
Condition: Near Fine. First Edition. First edition. 221 pp. Publisher's white wraps. Near Fine with some light rubbing to wraps, faint stain to fore edge. Internally free of marks and only a little toned with age. About half of the scarce belly band laid in, the rest gone. An attractive copy of one of the major works of 20th century radical thought in the original French. It galvanized Paris students in May 1968, and continually inspired punk and the radical Left (anarchist, Marxist, postmodernist, etc.) in the '70s and beyond.