Wain Louis Thomson Hugh (2 results)

Hardcover. Condition: Very Good. Hugh Thomson, Louis Wain (illustrator). First Edition. Small Quarto, 9.9 in. x 7.5 in., pp. 44. Rich blue morocco boards with gilt title and decorativestylized art nouveau fleur de lys design, and one raised band, to spine. Rubbing to extremities. Scuffing to edges of spine. Corners showing. Decorative fleur de lys design gilt dentelles; lilac and chartreuse marbled endpapers. Bookplate ("M.C.D. Borden") to front pastedown. Cardstock title page. Light age-toning to pages. Eighteen engravings with captions from the leading book artists at the close of the 19th century, including A Bryan, L. Davis, A.T. Elwes, Harry Furniss, J. Jellicoe, Louise Joplin, J.B. Partridge, Joseph Pennell, R.H. Moore, H. Railton, Hugh Thomson, Louis Wain, W. Wilson, and Austin Dobson With a prefatory poem by Ausin Dobson. Printing information from colophon. Page 43: "The reproductions of the original drawings are by Messrs. Hare, 31, Essex Street, Strand". Page 44 "London : Printed by Hayman, Christy and Lilly, Limited, Hatton Works, 11 Farringdon Road." The bookplate belongs to Matthew Chaloner Durfee Borden, an American textile leader from Fall River, Massachusetts, who, reorganized the failed American Print Works into the American Printing Company in 1880.

"A Night in Town" - Probably Louis Wain's Very First Published 'Cat Caricature' [WAIN, Louis, artist]. [DOBSON, Austin, contributor]. A Book of Drawings. By A. Bryan, L. Davis, A.T. Elwes, Harry Furniss, J. Jellicoe, Louise Jopling, J.B. Partridge, Jo. Pennell, R.H. Moor, H. Railton, Hugh Thomson, L. Wain, C. Wilkinson & W. Wilson: with a prefatory poem by Austin Dobson. London: Privately Printed for Mr. & Mrs. F.T. Davies, [1891]. One of a hundred large paper copies on hand-made paper, signed by F.T.W. Davies, the plates individually signed by the illustrators. 43, [1 imprint] pp. Folio (12 7/8 x 10 3/8 inches; 326 x 263 mm.). Original thin white vellum over parchment wrappers. Front cover decoratively stamped and lettered in gilt. A near fine copy. The two Louis Wain drawings, each of which is signed by Wain in pencil are: "A Night in Town" and [A Single Cat]. From studying the 209 entries in Rodney Dale's A List of Books Illustrated by Louis Wain, it would appear that A Book of Drawings (Dale 20, 1891) was only preceded by Madame Tabby's Establishment (Dale 141, 1886) and Dreams by French Firesides (Dale 56, 1890). We believe that the drawing "A Night in Town" is most probably the very first published Louis Wain 'multi-cat caricature'. Extremely rare - OCLC lists just two copies in libraries worldwide: Yale University Library, CT., and R. G. Menzies Library, ANU, Canberra. "Mr. and Mrs. Davies, who are well known for their unsparing efforts on behalf of the poor of St. Pancras, have issued a book of drawings with the same charitable intentions as have been displayed in their concerts. For this purpose they have secured the services of several well-known artists, who have contributed, each with his own especial style, and the result is a recherché book of pictures not often seen. The title-page is by Herbert Horne, and Mr. Austin Dobson furnishes a prefatory poem; the artists who have sent their charitable mites are W. Wilson, H. Railton, J. Jellicoe, A.T. Elwes, Louise Jopling, Joseph Pennell, H. Furniss, C. Wilkinson, A. Bryan, R.H. Moore, J.B. Partridge, Lucien Davis, Hugh Thomson, Louis Wain, and Selwyn Image, who sends a tail-piece. Anyone wishing to make a Christmas or New Year's Gift will help on the good work Mr. and Mrs. Davies are doing by sending for a book. A special large paper edition, limited to 100 copies, printed on hand-made paper, with India proofs of the drawings, and bound in parchment, will also be issued from Wilsford House, 16 Fitzroy-street, London, W., or may be obtained through Mr. Tregaskis." (The British Bookmaker. Volume V. 1891-92). "Until 1890, Louis Wain had made little or no attempt to portray cats as anything other than fluffy animals which, though they slept between sheets, or wrote letters with quill pens, were otherwise recognisably feline. The 'Louis Wain cat' had not yet been born. But in 1890, he began to explore the possibility of the comic cat; cats drawn in human situations - or humans drawn as cats, which amount to the same thing. He insisted that he did not caricature cats, but drew them as he saw them, though his approach makes it clear that he generally saw them as humans. Naturally, then, he studied humans when drawing cats. ' If I want a mild, irresponsible caricature, a grinning cat, then I have to let loose my nature impressions and let myself go on my own account, and it is astonishing what variety one can get in this way, and how one's moods vary from day to day. I have done as many as one hundred and fifty laughing cats at a time, no two being alike. ' There is another way of sketching cats, and this way I often resort to. I take a sketch-book to a restaurant or other public place, and draw the people in their different positions as cats, getting as near to their human characteristics as possible. This gives me double nature, and these studies I think my best humorous work.' The foundations of this approach were laid in 1890. That Christmas, there appeared in Holly Leaves and the Illustrated London News 'A Cats' Christmas Dance and 'A Cats' Party, respectively. By now, Louis Wain was a household name. He was sufficiently famous to be mentioned by M. H. Spielmann (1858-1948), the eminent Victorian artists' biographer, in his monograph on the Dutch cat-artist Henriette Ronner in which he wrote: "That after all this lapse of time her work should till lately be practically new to our metropolis is equally a misfortune to art-lovers and an injustice to the artist. We have, and have had, cat-painters of ability here in England: in Mr Couldery, Mr Walter Hunt and Mr Louis Wain we have men who understand and appreciate feline beauty and feline character. It is a mark of Louis Wain's fame that in 1890 he was elected to the Presidency of the National Cat Club, following the resignation of Mr Harrison Weir." (Rodney Dale. Louis Wain. The Man who drew Cats, pp. 26 & 29). Dale, 20.