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Published by Clark University, 1912
Seller: Munster & Company LLC, ABAA/ILAB, Corvallis, OR, U.S.A.
First Edition
Condition: Good. 1st Edition. Clark University, 1912. Cover corners/bottom edge/spine ends lightly rubbed; edges very barely soiled; binding tight; cover, edges, and interior intact and clean except where noted. 1st Edition. hardcover. Good. 8vo - over 7¾" - 9¾" tall.
Published by Clark University, Worcester, MA, 1912
Seller: Rain Dog Books, Bloomington, IL, U.S.A.
First Edition
Hardcover. Condition: Fine. First Edition. 8vo. We specialize in fine books in collectible condition. Orders are professionaly packaged and shipped promptly. M40.
Published by Wentworth Press, 2019
ISBN 10: 0526971681ISBN 13: 9780526971688
Seller: Lucky's Textbooks, Dallas, TX, U.S.A.
Book
Condition: New.
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Published by Clark University, Worcester, Mass, 1912
First Edition
First Edition. 240mm x 160mm (9" x 6"). 161pp. Ownership signature of E. N. da C. Andrade. G : in good condition without dust jacket. Ownership signature on paste-down Black/gilt hardback cloth cover.
Published by BiblioBazaar, 2009
ISBN 10: 1115277103ISBN 13: 9781115277105
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Paperback. Condition: Brand New. 178 pages. 10.00x7.50x0.40 inches. This item is printed on demand.
Published by BiblioBazaar, 2009
ISBN 10: 111527709XISBN 13: 9781115277099
Seller: Revaluation Books, Exeter, United Kingdom
Book Print on Demand
Paperback. Condition: Brand New. 178 pages. 8.75x5.75x0.40 inches. This item is printed on demand.
Published by The Press of the Nova Scotia College of Art and Design, 2004
ISBN 10: 0919616402ISBN 13: 9780919616400
Seller: B-Line Books, Amherst, NS, Canada
Book First Edition
Softcover. Condition: Fine. First Edition. Stiff unmarked book in crisp covers with flaps. ; 6 X 1.25 X 9 inches; 423 pages; An essay by Peggy Gale introduces this transcription of historic talks by internationally known artists, recorded some 30 years ago at the Nova Scotia College of Art and Design in Halifax, Nova Scotia. Included are talks by Vito Acconci (1977) , Carl Andre (1969) , Joseph Beuys (1976) , Daniel Buren (1973) , James Lee Byars (1970) , Paterson Ewen (1976) , Robert Filliou (1973) , Dan Graham (1973 and 1977) , Douglas Huebler (1973) , Joseph Kosuth (1969) , Sol LeWitt (1970) , Mel Ramsden for Art & Language (1972) , Alan Sondheim (1973) and Lawrence Weiner (1972). These transcriptions are all collected for the first time in this volume. An important resource for contemporary art and its attendant issues, Artists Talk: 1969-1977 reveals artists' concerns during a period bracketed by Conceptual art and an international restructuring of power and influence in the art world.
Published by Clark University Press, Worcester, Mass., 1912
Seller: Douglas Books, Tunbridge Wells, United Kingdom
Book First Edition
Hardcover. Condition: Good/very Good. No Jacket. 1st Edition. v+161, num text figs, three as plates in Volterra's 'Deuxieme lecon'. T.p. inscribed 'To Major MacMahon with Prof. Volterra's compliments', this is a mixed blessing however as ink has caused some kind of paper discoloration on verso, resulting in a small faint brown patch above title on Introduction, also offset on facing free end-paper (no half-title published presumably). Otherwise clean tight and unmarked.Dark blue cloth covers barely worn and clean, although there is a sm. inconsequential ripple in cl.on fr. Contents: 3 'Lecons' by Volterra on mathematical physics, Rutherford on alpha rays, Wood on optical properties of metallic vapours and Barus on iron carbides. One cannot help speculating on whether Rutherford met Freud and William James who were attending the Psychology department's contributions to the event! An excellent copy of private provenance. Note: quoted non-UK shipping rates are calculated for 500-700 gram net weight, cost will be modified up or down as appropriate outside this range. SALE PRICE. Signed by Volterra.
Published by WENTWORTH PR, 2019
ISBN 10: 0526971673ISBN 13: 9780526971671
Seller: moluna, Greven, Germany
Book
Condition: New.
Published by Franklin Furnace New York, NY, 1976
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
[2] pp.; 28 x 35.5 cm. (unfolded) ; 14 x 18 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Franklin Furnace calendar of exhibitions and readings for September - December, [1976]. Organized by Martha Wilson, artists and writers participating in the fall/winter events included Nancy Kitchell, Rosemary Mayer, Bernadette Mayer, Henry Korn, Richard Kostelanetz, Judy Rifka, Barbara Kruger, Athena Tacha, Les Levine, Lee Breuer, Carolee Schneemann, Vito Acconci, Ralston Farina, Carl Andre, Kathy Acker, Diego Cortez, Karen Eubel, Barbara Hero, Agnes Denes, Alan Sondheim, Roy Colmer, and George Griffin. Good. Folded in four as issued for mailing. Mailed and addressed copy with mailing marks and mailing wear including marks to edges from removed staples. Three 1 mm. stains to verso near address. Otherwise clean and unmarked.
Published by Macba, 2005
ISBN 10: 8489771162ISBN 13: 9788489771161
Seller: castlebooksbcn, Barcelona, Spain
Book First Edition
Encuadernación de tapa blanda. Condition: Como Nuevo. Dust Jacket Condition: Como Nuevo. 1ª Edición. The cover of an album turned into artistic support. This publication includes a detailed cataloging of the collection of sound material that belongs to the Archive for Small Press and Communication deposited in the Neues Museum Weserburg in Bremen, which includes vinyls, CDs and also books, graphic work and other objects that relate the music and sound works with the artistic expression of the moment.
Published by The Institute for Art and Urban Resources [P.S. 1] New York, NY, 1977
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
136 pp.; 26.3 x 25.4 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976 featuring site-specific installations in the rooms of the then largely unrenovated building. Includes installation images and images of artists installing their works, texts by artists within show, statements, and acknowledgments. Artists include Vito Acconci, Carl Andre, Stephen Antonakos, Richard Artschwager, Evriah Bader, John Baldessari, Jared Bark, Jennifer Bartlett, Bill Beirne, Robert Benson, James Bishop, Ronald Bladen, Power Boothe, Daniel Buren, Scott Burton, Michael Clark, Colette, Douglas Davis, Walter de Maria, Peter Downsbrough, Stefan Eins, Joel Fisher, Dieter Froese, Steve Gianakos, Tina Girouard, Frank Gillette, Michael Goldberg, Ron Gorchov, Robert Grosvenor, Ira Joel Haber, Marcia Hafif, Suzanne Harris, Dale Henry, Lynn Hershman, Jene Highstein, Patrick Ireland, Bill Jenson, Alain Kirili, Bernard Kirschenbaum, Joseph Kosuth, Shigeko Kubota, Gary Kuehn, Jeffrey Lew, Gordon Matta-Clark, Brenda Miller, Antoni Miralda, Mary Miss, Richard Mock, Forrest Myers, Bruce Nauman, Max Neuhaus, Richard Nonas, Patsy Norvell, Dough Ohlson, Dennis Oppenheim, Nam June Paik, Howardena Pindell, Lucio Pozzi, David Rabinowitch, Judy Rifka, Robert Ryman, Fred Sandback, Alan Daniel Saret, Richard Serra, Judith Shea, Charles Simonds, Ned Smyth, Eve Sonneman, Sylvia Stone, Marjorie Strider, Michele Stuart, Susanna Tanger, Hap Tivey, Richard Tuttle, Susan Weil, Lawrence Weiner, Doug Wheeler, and Robert Yasuda. Numerous black-and-white images throughout. Reference : "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 60-61. Very Good. Rubbing of cover edges and light bumping of bottom right corner of publication. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.
Published by Rick Vermeulen / Paul Bonger Hague, Netherlands, 1972
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Rubbing, scratching and light edge wear to covers and soiling to text block edges. Volume 1 has bumping of upper right corner extending to first three pages; Volume 2 has 10.5 cm. dog-ear to lower right corner and 2.7 cm. dog-ear to verso corner; volume three has 2.5 cm. area of numeric embossment and bumping of bottom right corner. Contents of all volumes are otherwise clean and unmarked.