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Published by Breakwater Books Ltd. April 2000, 2000
ISBN 10: 0921692943ISBN 13: 9780921692942
Seller: Open Books West Loop, Chicago, IL, U.S.A.
Book
Trade Paperback. Condition: Used.
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Also find Softcover First Edition
Published by Breakwater Books, 1976
ISBN 10: 0919948014ISBN 13: 9780919948013
Book
Paperback. Condition: Very Good. No Stock Photos! We photograph every item. edge wear;
Published by Warner Books Inc, Boston, Massachusetts, U.S.A., 1991
ISBN 10: 0446361364ISBN 13: 9780446361361
Seller: Wally's Books, York, ON, Canada
Book First Edition
Mass Market Paperback. Condition: Good +. Clyde Caldwell (illustrator). First Edition 1st Printing. Please email us if you would like further information or if you would like us to send you a picture of the book. Thanks for looking! Size: 16mo - over 5¾" - 6¾" tall.
Published by Jesperson, St. John's, 2000
Seller: Laurel Reed Books, Stratford, ON, Canada
First Edition
Soft Cover, French Flaps. Condition: Very Good. 1st. Some wear to jacket, moisture wrinkle.
Published by TSR Hobbies Inc, USA, 1983
ISBN 10: 0880381000ISBN 13: 9780880381000
Seller: Comic World, Steinbach, MB, Canada
Book First Edition
Soft cover. Condition: Very Good. Clyde Caldwell Cover Art.; Interior Art By Harry Quinn. (illustrator). First Edition By This Publisher. 157 pages."Only you can save the world. The evil magic-user Zed has used a powerful forbidden spell to summon forth the mighty Shen, the dreaded black Dragon of Doom!" >>Cover creasing; Name in red felt marker to front end page. Size: 12mo - over 6¾" - 7¾" Tall. Book.
Published by Breakwater Books, 1976
Seller: Silver Creek Books & Antiques, Port Perry, ON, Canada
Book
Soft cover. Condition: Very Good. No Jacket. VG trade PB. Small crease in back cover. Writings by: Ray Guy, Ted Russell, Enos Watts, Pat Byrne, Grace Butt et al. Canada. Pg 138.
Published by Breakwater Books Ltd., 2002
ISBN 10: 1550811770ISBN 13: 9781550811773
Seller: Textbook Pro, North Vancouver, BC, Canada
Book
Hardcover. Condition: Very Good. MULTIPLE COPIES AVAILABLE. Shows some minor wear but still in very good condition with many years of productive life remaining. May have a school stamp or bar-code. Ships same or next business day via USPS Media Mail or Canada Post Expedited.
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Published by Breakwater Books Ltd., 2000
ISBN 10: 1550811606ISBN 13: 9781550811605
Seller: Textbook Pro, North Vancouver, BC, Canada
Book
Hardcover. Condition: Very Good. MULTIPLE COPIES AVAILABLE. Shows some minor wear but still in very good condition with many years of productive life remaining. May have a school stamp or bar-code. Ships same or next business day via USPS Media Mail or Canada Post Expedited.
Published by Breakwater Books, 1976
ISBN 10: 0919948200ISBN 13: 9780919948204
Seller: Laurel Reed Books, Stratford, ON, Canada
Book
Soft cover. Condition: Good. Good clean copy.
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Published by Breakwater Books Ltd., 2001
ISBN 10: 1550811754ISBN 13: 9781550811759
Seller: Textbook Pro, North Vancouver, BC, Canada
Book
Hardcover. Condition: Very Good. MULTIPLE COPIES AVAILABLE. Shows some minor wear but still in very good condition with many years of productive life remaining. May have a school stamp or bar-code. Ships same or next business day via USPS Media Mail or Canada Post Expedited.
Published by Breakwater Books, Portugal Cove, Newfoundland, 1976
Seller: Alexander Books (ABAC/ILAB), Ancaster, ON, Canada
First Edition
Soft cover. Condition: Near Fine. 1st Edition. 219 Pages Review Copy Label O/W Fine. Book.
Published by Breakwater Books Ltd, Portugal Cove, NFL, 1974
Seller: George Strange's Bookmart, Brandon, MB, Canada
Book
Soft cover. Condition: Fine. No Jacket. 2nd Edition. Wraps, slightly yellowed with age and showing signs of water damage to top edge of front and back covers as well as to spine. Leaves clean and tightly bound. B/W illustrations. Short stories, essays, narrative poems, drama and poems by Newfoundland authors.
Published by Breakwater Books, Portugal Cove, 1976
Seller: ABC: Antiques, Books & Collectibles, Tantallon, NS, Canada
Book
Soft cover. Condition: Good. A small sampling of the work of some of the best Maritime and Newfoundland writers of that era. Inside clean.
Published by Penguin, Harmondsworth, Middlesex, 1988
ISBN 10: 0140111409ISBN 13: 9780140111408
Seller: Syber's Books, Melbourne, VIC, Australia
Book
Softcover. Condition: Very Good. John and Laura Lakey (interior art) Clyde Calwell(Cover Art), (illustrator). Reprint. A clean copy showing no damage, free of annotation. Size: 12mo (standard paperback). 320 pages. Please refer to accompanying picture (s). Illustrator: John and Laura Lakey (interior art) Clyde Calwell(Cover Art), Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Science Fiction & Fantasy; Literature & Fiction; British & Irish; ISBN: 0140111409. ISBN/EAN: 9780140111408. Dewey Code: 813/.54. Inventory No: 0262418.
Published by Circus Books, Melbourne, 1979
Seller: Klanhorn, Queanbeyan, NSW, Australia
Book
Mass Market Paperback. Condition: Very Good. First Circus Books Edition. VG, Edgewear, crease, previous owner name stamp blacked out on inner rear cover, staining, light browning. Movie tie-in. Front cover and photo insert of stills from the film starring Farrah Fawcett-Majors and Jeff Bridges. Expanded condition report/scan on request.
Published by Breakwater Books, Portugal Cove, 1976
Seller: Augustine Funnell Books, Fredericton, NB, Canada
First Edition
Stiff Card Wraps. Condition: Very Good. First Edition. Wraps edition published simultaneously with the hardcover. Fiction, essays, and folklore from a variety of Newfoundland writers. 219 pages, illustrated. Light general wear. Internally tight and clean. Size: 12mo - over 6¾ - 7¾" tall. Book.
Published by Breakwater Books, St. John's, 1976
ISBN 10: 0919948111ISBN 13: 9780919948112
Seller: Quickhatch Books, Ottawa, ON, Canada
Book
Trade Paperback. Condition: Good. 219pp., light wear to covers. Size: 8vo - over 7¾" - 9¾" tall. Book.
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Published by Penguin Books, 1988
ISBN 10: 0140111395ISBN 13: 9780140111392
Seller: Book Express (NZ), Wellington, New Zealand
Book
Paperback. Condition: Good. Cauldwell, Bart Sears & Clyde (illustrator). 320 pages. Cover worn.
Published by Breakwater Books, Limited, Saint John's, NF, Canada, 1976
ISBN 10: 0919948014ISBN 13: 9780919948013
Seller: Post Horizon Booksellers, Moose Jaw, SK, Canada
Book First Edition
Trade Paperback. Condition: Near Fine. Squires, Gerry; Dawe, Tom (illustrator). First Canadian Edition. 138pp. Illustrated wrapper is clean and without wear. Binding square and not creased. Small octavo. Poetry and prose by Grace Butt, Pat Byrne, Michael Cook, Tom Dawe, Bill Gough, Ray Guy, Dr. A.C. Hunter, Tom Moore, Al Pittman, Helen Porter, Clyde Rose, Geraldine Rubia, Ted Russell, Art Scammell, Enos D. Watts.
Published by Breakwater Books, Portugal Cove, Newfoundland, 1976
ISBN 10: 091994812XISBN 13: 9780919948129
Seller: W. Fraser Sandercombe, Burlington, ON, Canada
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Gerry Squires; (illustrator). First Edition. (x) 219 pp. Orange boards lettered in gilt on the spine; illustrated with drawings by Gerry Squires. A few small nicks and chips around the edges and corners; previous owner's name and a few small marks on the front pastedown and the front free endpaper. This story collection contains writing by: Percy Jones; Ray Guy; Michael Cook; Helen Porter; Anne Hart; Bernice Morgan; Harold Horwood; Gary Saunders; Al Pittman; Len Margaret; Patrick O'Flaherty; George Story; and Wilfred Wareham. Size: 8vo. Book.
Published by Breakwater, Portugal Cove, 1976
Seller: Wagon Tongue Books, Linden, AB, Canada
Book
Soft cover. Condition: Very Good +. Gerry Squires (cover) (illustrator). First Edition. SUBTITLED : ` An Atlantic Anthology ' . Four of the contributors, for flavour, are : Leone Ross, M. Travis Lane, Ted Kulik, and Elizabeth Brewster. Also Milton Acorn writing : When a Dog Barks ._._. Gerry Squires (of Newfoundland) has added a portfolio of b/w drawings. One is of a killick. 239 pages presenting 40+ authors. Cond : Paper wrapper is white with black lettering. That's Rupert Costello portrayed on the cover. Spine fine. Binding tight. No creases nor marks. Minimal wear , minimal soiling. Name of p/o on ffep. Almost collectible ! ! Quote (Elizabeth Goudie) (p. 179) : " Uncle Bert had built a new house and he come down Grand Lake to get his family and their winter supplies. They started up the lake in a rowboat with a canoe load in tow. Not too long after they left ._._._. ." Size: 8vo.
Published by Breakwater Books Limited, 1976
Seller: COVENANT HERITAGE LIBRIS, Saint John, NB, Canada
Book First Edition
Paper Covers. Condition: Good. First Edition. Binding tight, owners inscription. S4 6.
Published by Breakwater Books Ltd., Portugal Cove, NL, 1976
ISBN 10: 091994812XISBN 13: 9780919948129
Seller: Lower Beverley Better Books, Lyndhurst, ON, Canada
Book First Edition
Hardcover. Condition: As New. Dust Jacket Condition: Very Good. Gerry Squires (illustrator). First Edition. A selection of folk, scholarly and creative literature of Newfoundland. 216 pp. plus Notes on the Authors. Brown plasticised cloth covered boards have gilt text on spine. A lovely book. Unclipped, unpriced DJ is slightly age toned, spine sunned, some streaking of black ink of front panel illustration along front edge of spine. Bookseller's Inventory # 143988.
Published by Breakwater Books Limited, Portugal Cove, Newfoundland, 1976
Seller: J. Wyatt Books, Ottawa, ON, Canada
xiii,239p., stiff printed wraps, VG. Size: 8vo - over 7¾" - 9¾" tall.
Published by Whitney Museum of American Art, 1994
ISBN 10: 0874270936ISBN 13: 9780874270938
Seller: Yesterday's Muse, ABAA, ILAB, IOBA, Webster, NY, U.S.A.
Book First Edition
Soft Cover. Condition: Very Good. First Edition. First edition. Sticker remains on rear cover. 1994 Soft Cover. 223 pp. On December 12, 2014, the Education department presented Looking Back at Black Male, a public program to mark the twentieth anniversary of the exhibition Black Male: Representations of Masculinity in Contemporary American Art, (November 10, 1994-March 5, 1995). Curated by Thelma Golden, now the Director and Chief Curator at the Studio Museum of Harlem, Black Male investigated the complex aesthetics and politics at work in representations of African American men in the post-Civil Rights era. Looking Back at Black Male brought together exhibition curator Golden, Hilton Als, a writer who edited the exhibition catalogue, and Huey Copeland, art historian and critic, to discuss the exhibition and its afterlives. The program considered Black Male?s significance for cultural debates twenty years ago as well as how it has inspired artists and curators working in its wake. At the beginning of the conversation, Copeland remarked, 'As the nationwide protests of the unpunished murders of two unarmed black men, Michael Brown and Eric Garner have again brought into vivid focus, the 'black male' is a perennial site of fear and projection, policing and pathology, contestation and coalition.' He also stated that the exhibition was not about offering a mirror or image of black masculinity, but providing a context to comprehend how a black male might be produced visually, and the many ways that one might work through that visual production. Referring to the Black Male catalogue as a landmark anthology that has continually sparked many conversations, and a five-part film program organized by John Hanhardt, the Whitney's former film and video curator, Copeland asked Golden and Als to talk about the ways in which they created a multi-pronged curatorial and cultural approach to the exhibition. Golden explained that in order to address the complexities of black masculinity, the exhibition demanded many voices and perspectives. There was no previous model for understanding the complicated manifestations and nuances of representations of black men, and she described her feeling that in order to make this exhibition, it was as if a new language had to be invented. Both Golden and Als underscored the importance of the multiple exhibition components to create a broader context for considering the ideas and themes in the works themselves and to engage a wide audience that Golden was hoping would visit the show. Among these components was a context room (located within the exhibition) that displayed a thematic timeline created by cultural historian Maurice Berger, and a series of public programs organized by Connie Wolf, former director of the Whitney?s Education department. The context room featured an introductory panel and ten large-scale wall texts that, in Berger?s words, were intended to 'narrate very selective moments from this complex history of oppression, struggle, survival, and triumph; it is meant as an adjunct to the Black Male exhibition, as a space of learning and contemplation, as a means of contextualizing some of the issues explored in the exhibition.' Themes included Community and Leadership, Civil Rights, Business and Employment, Television and the Media, and Gender and Sexuality. The Business and Employment text panel provided historical information such as: '1971, The U.S. Bureau of Labor statistics reports that African Americans lag far behind whites in economic prosperity, earning three-fifths of the average white income.' Public programs related to the exhibition included an extensive film program as well as discussions of the event of the show itself. One of these programs was a conversation between cultural historian and Harvard University professor Henry Louis Gates, Jr. and philosopher and activist Cornel West. At the beginning of the conversation, Gates asked if the art-viewing public can 'move beyond all the polemics about so called positive and negative imagery.' During their conversation about, West mused, 'Did [the exhibition] shake you, did it unsettle you, did it in some sense unstiffen your presuppositions as to who and what you are in relation to these black bodies'' Gates emphasized that the importance of discussing the questions posed by the artworks was not only imperative to the exhibition as a whole, but also challenged the viewer to probe his or her understanding of black masculinity. In her discussion of the exhibition Black Male, Golden emphasized that its accompanying programs were intended to frame the show in dialogue with ideas far beyond the Museum's walls. Collectively the programs encouraged broader conversations about the exhibition and related cultural issues as a whole. As the exhibition's introductory wall panel read: '. . . in the end, the images reveal how the study of art is an essential tool for interpreting difficult social issues and promoting change in our society. We also discover that through an understanding of the social context, we gain a deeper appreciation of art itself.' - Whitney Museum of American Art.