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Published by Dan Fog Musikforlag, Copenhagen, 1966
Book
Paperback. Condition: Very Good. 212 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. The grey paper covers show light soiling from age and use.
Published by Dan Fog Musikforlag, Copenhagen, 1966
Soft Cover. Condition: Good. No Jacket. Paperback, with permanently protected covers. 212pp. Frontis. Edges of covers slightly discoloured. Fore-edge somewhat marked. Previous owner's details to half-title. Rapid UK dispatch. (r28).
Published by Dan Fog Musikforlag, Copenhagen, 1966
First Edition
Condition: - keine Angabe -. 1. Aufl.;. Gr.8° 211 Seiten mit Notenbeispielen und einem Titelbild; Orig.-Broschur; 470g; [Englisch]; Einband staubig, mit Stempel und Kennzeichnung 1. Auflage; [lgr=T] _ xXx_ Internat. Shipping (economy): A, B, CZ, DK, NL: 14,00 EUR / CH: 17,00 EUR / HU, I: 16,00 EUR / UK: 16,00 EUR / US, CA, CN, JP: 24,00 EUR / all others and priority: on request. BUCH.
Published by Dan Fog Muikforlag, Copenhagen, 1966
Seller: German Book Center N.A. Inc., Mountain Dale, NY, U.S.A.
Book First Edition
Soft cover. Condition: Very Good, except as noted. 1. Aufl. 212S. Ungelesenes Exemplar/unread copy. Vorderumschlag hat einen ganz kleinen repararierten Riss. Aussen ein wenig unfrisch.
Published by Copenhagen, Dan Fog Musikforlag 1966, 1966
Seller: Antiquariaat Pieter Judo (De Lezenaar), Hasselt, Belgium
Association Member: ILAB
212pp. + frontispiece, with music examples in text, 25cm., text in English, Doctoral Dissertation (Aarhus Universitet), stamp at verso of title page, text and interior are clean and bright, M109046.
Published by Dan Fog, Copenhagen, 1966
Seller: Expatriate Bookshop of Denmark, Svendborg, Denmark
orig. wrappers. Condition: Minor rubbing, VG. Frontispiece, musical illus. (illustrator). 212 pp, 25x17cm, University of Aarhus doctoral dissertation. Contents: Preliminaries; The Cultural Function & the Basic Esthetic Principles of the Early Motet; The Upper Voice: Text & Music; Rhythm; Tonality; Form; Counterpoint: Linear Aspects; Preliminary Remarks; Part Writing; Imitation; Polyphonic Phrasing; Counterpoint: Harmony; The Franconian Rule; Digression: Consonance & Dissonance in 13th-Century Theory of Music; The Upper Voice & the Tenor; Three- and Four-Part Harmony.