Product Type
Condition
Binding
Collectible Attributes
Seller Location
Seller Rating
Published by Published by Goethe-Institut, London, 1987
Seller: The Paper Hound Bookshop, Vancouver, BC, Canada
Book
wraps. Condition: Very Good. Blue card covers.
Published by Ostfildern. Edition Cantz1993. 162 Seiten. Zahlreiche meist farbige Abbildungen. Text in deutscher Sprache. Format ca. (30 x 24) cm., 1993
ISBN 10: 3893225714ISBN 13: 9783893225712
Seller: Antiquariat Bernd Preßler, Ahnatal Weimar, Germany
Book
Ohne Stempel, keine An-und Unterstreichungen, altersgemäss guter bis sehr guter Zustand. Softcover. Original kartoniert.
Published by Goethe-Institut, London, 1987
Seller: David Bunnett Books, London, United Kingdom
First Edition
SOFTCOVER. 1st Edition. medium size 4to in stiff glossy card covers, 41pp on stiff paper, colour plates, etc. CONDITION: An extremely well preserved FINE very clean and tight unmarked copy (hint of tanning to leaves) ] ._ ._We Ship in PROTECTIVE CARD PARCELS.
Published by Richard Demcarco Gallery, Edinburgh, Scotland, 2005
Seller: Marcus Campbell Art Books, London, United Kingdom
Paperback in envelope. Condition: Good in wraps. Facsimile. 30 x 43cm 22pp stapled magazine contained in an envelope with a red seal. A facsimile reprint of the oriignal catalogue for the 1970 Edinburgh Festival Exhibition. Presented by The Richard Demarco Gallery in association with Dusseldorf Kunsthalle at Edinburgh College of Art 23 August-12 September, 1970. A numbered edition of 250 copies.
Published by Richard Demarco Gallery, Edinburgh, 2005
Seller: William Allen Word & Image, London, United Kingdom
Paperback. Condition: New. Book. Facsimile copy (with essay by Demarco 2005 laid in), 420 x 296 mm, 22 pp, stapled, printed in black & white. Ground-breaking exhibition - Beuys' first visit to the UK. The logo "Stategy get arts" is a palimpsest. Essays and interviews in English & German. Each artist is represented in 1 page combining photograph of artist, their work, biography, statements etc. Includes Joseph Beuys, George Brecht, Bernard Becher, Robert Filliou, Karl Gertsner, Dorothy Iannone, Ferdinand Kriwet, Palermo, Sigmar Polke, Gerhard Richter, Dieter Rot, Daniel Spoerri, Andre Thomkins, Franz Erhard Walther et al. Large format item, extra postage required.
Published by Carnegie Museum of Art/Prestel ., 1988
Seller: Galerie Buchholz OHG (Antiquariat), Köln, Germany
First Edition
Softcover. Condition: Good. 201 S.; zahlr. farb. Abb., kart., 30 x 24 cm. Auusen berieben u.leicht bestossen. Darüber hinaus in guter Erhaltung.
Published by Kultutamt der Stadt Dusseldorf, Dusseldorf, 1971
Seller: A&M Bookstore / artecontemporanea, Milano, MI, Italy
Soft cover. Condition: Fine. cm 15x21; BN; paperback.
Published by Kunstmuseum Luzern., 1969
Seller: Tim Byers Art Books, Richmond, United Kingdom
No Binding. Condition: Near Fine. When unfolded, one side of the poster/catalogue is a large silkscreen reproduction of Peter Dibke's now famous image of the Düsseldorf group participants, standing together in a field: Joseph Beuys, Sigmar Polke, Gerhard Richter, Klaus Rinke, Blinky Palermo, Jörg Immendorf, Imi Knoebel, Reiner Ruthenbeck, Claus Böhmler and Rainer Giese (Chris Reinecke is not represented in the picture but is in the catalogue). The other side of the poster is printed with texts, and documents the work of the artists with bio-bibliographical details and illustrations of the works. A text by Jean-Christoph Ammann explains the context of the exhibition and the importance of the Düsseldorf academy and art scene at the time. Catalogue in the form of a folded poster. (Poster folded four times as issued).
Published by Kunstmuseum Luzern | Luzern, 1969
Seller: bent priorities, Thessaloniki, Greece
Art / Print / Poster
No Binding. Condition: Near Fine. 127×90,4 cm. Impressive XL poster published in conjunction with a key exhibition of the Düsseldorf Scene artists. Features recto a group photo of the participating artists, namely Joseph Beuys, Claus Böhmler, Rainer (Imi)* Giese, Jörg Immendorff, (Klaus Wolf ) Imi* Knoebel, Blinky Palermo, Sigmar Polke, Chris Reinecke, Gerhard Richter, Klaus Rinke, Reiner Ruthenbeck, Günter Weseler. Photo by Peter Dibke. Verso is blank, this one being the even rarer variant of the piece, published as a standalone poster and not the more commonly seen poster/catalogue with information printed on the back. [Ref: see TATE, AR00861 for the more common poster/catalogue version] * I was studying at a very boring, Bauhaus-inspired school of applied arts in Darmstadt and wanted to get away, he says. Luckily, I had a great friend and collaborator in Imi Giese (1942 1974). (Their shared first names derived from their habitual greeting, Ich mit ihm, or I with him. ) Together, we discovered a host of things that inspired us. One was the music of free-jazz musician and composer Ornette Coleman. We would follow him on tour. Another was the art of Kazimir Malevich and his Suprematist movement. Both seemed radical and extreme. Discoveries like these pointed to a way out of their conventional paths for the young artists. [Knoebel to Kamps, 2020] // Previously carefully folded.