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Published by Simon & Schuster, 1985
ISBN 10: 0671532014ISBN 13: 9780671532017
Seller: Better World Books: West, Reno, NV, U.S.A.
Book
Condition: Good. Used book that is in clean, average condition without any missing pages.
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New offers from £ 56.91
Used offers from £ 12.33
Also find Hardcover First Edition Signed
Published by Penguin Random House, 1986
ISBN 10: 0712610812ISBN 13: 9780712610810
Seller: Better World Books Ltd, Dunfermline, United Kingdom
Book
Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Used offers from £ 4.47
Published by McGraw-Hill Companies, 1986
ISBN 10: 0070277796ISBN 13: 9780070277793
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Book
Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.75.
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Used offers from £ 14.81
Published by Alfred J. Hitchcock Produktion
Seller: Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Germany
Book
Videokassette. Condition: Gut. außen mit Gebrauchsspuren, Artikel stammt aus Nichtraucherhaushalt! NB-VHS3777 Sprache: Deutsch Gewicht in Gramm: 500.
Published by Simon & Schuster, 1985
ISBN 10: 0671532014ISBN 13: 9780671532017
Book Signed
Condition: Good. Signed Copy . Acceptable dust jacket. Signed by author on first blank. Stamped on first blank.
Published by Simon and Schuster, New York, 1985
ISBN 10: 0671532014ISBN 13: 9780671532017
Seller: Cat's Curiosities, Pahrump, NV, U.S.A.
Book Signed
Hardcover. Condition: Very Good. Dust Jacket Condition: Fair. Photos -- many in color -- by Bill Dow (illustrator). Number line runs 10 9 8 7 6 5 4 3 2, only -- the second printing. Inscribed "To Trish" and signed by Tippi Hedren to the blank FFE. Thin vertical 3-inch strip of paper missing from bottom of jacket hinge between jacket front panel and jacket front flap -- probable bug chew. "Walking man" remainder mark to bottom page edges. One-sheet 1989 memorial to cat wrangler Mike Vollman laid in. 287 pp. Reduced from $27. Inscribed by Author(s).
Published by Shambala Pr, Acton, CA, 1992
ISBN 10: 0963154907ISBN 13: 9780963154903
Seller: Andrew's Books, San Diego, CA, U.S.A.
Book Signed
Soft cover. Condition: Very Good. No Jacket. Revised. Book with author and lion color photo on cover has minor shelf-wear, crease to top corner of last 25% of book's pages, tight, bright, and unmarked. Inscribed legibly and floridly on half-title page, 'To L.Come to Shambala one day Tippi Hedren October 1995'. Photos, of course. Inscribed by Author(s).
Published by Simon and Schuster, New York, 1985
ISBN 10: 0671532014ISBN 13: 9780671532017
Seller: Cat's Curiosities, Pahrump, NV, U.S.A.
Book First Edition Signed
Hardcover. Condition: As New. Dust Jacket Condition: Near Fine. Photos -- many in coloe -- by Bill Dow (illustrator). 1st Edition. Number line complete 10 9 8 7 6 5 4 3 2 1 -- the first printing. Inscribed "for Tora" and signed by Tippi Hedren to a preliminary page. 287 pp. Reduced from $55. Inscribed by Author(s).
Published by Simon and Schuster, New York, 1985
ISBN 10: 0671532014ISBN 13: 9780671532017
Seller: Cat's Curiosities, Pahrump, NV, U.S.A.
Book Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Photos -- many in coloe -- by Bill Dow (illustrator). Number line 10 9 8 7 6 5 4 3 2, only -- the second printing. Dated May 1989, inscribed to "Florence" and signed by Tippi Hedren to the otherwise blank FFE. 287 pp. Inscribed by Author(s).
Published by Shambala Pr, Acton, 1992
ISBN 10: 0963154907ISBN 13: 9780963154903
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Book Signed
Soft cover. Condition: Near Fine. Photographs By Bill Dow (illustrator). 3rd Edition. 300 Pp. Illustrated Covers, Softcover. Edition Not Stated, Revised With New 1992 Copyright. Inscribed By Tippi Hendren To A Hollywood Publicist/Producer, With His Card Laid In Loosely. Inscribed by Author(s).
Published by Simon & Schuster, New York City Ny, 1988
ISBN 10: 0671532014ISBN 13: 9780671532017
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Book First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition. 287 Pp. Black Cloth Spine, Gilt, Orange Boards. Second Printing Indicated. Inscribed By Hedren, Dated 1991, And With A Photo Of The Recipient With A Spotted Big Cat, And The Single Sheet Fund Request From Shambala. Book Fine, Remainder Mark, No Wear, Dj Price Clipped With No Wear But A 1/2" Closed Tear At Top Of Rear Panel. Signed by Author(s).
Published by S&S, NY, 1985
Seller: Bibliolio Books, Tucson, AZ, U.S.A.
Book First Edition
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition. Interesting book by the actress best known for a couple of things: her role in "The Birds" and as the mother of Melanie Griffith. About her love affair with big cats (as in lions and tigers). Inscribed by Hedren and Taylor.
Published by UNIVERSAL PICTURES ITALIA SRL, 2013
Seller: Buchpark, Trebbin, Germany
Blu-ray. Condition: Sehr gut. 0 Gepflegter, sauberer Zustand. 39086371/2 Altersfreigabe FSK ab 0 Jahre.
Published by UNIVERSAL PICTURES ITALIA SRL, 2013
Seller: Buchpark, Trebbin, Germany
Blu-ray. Condition: Gut. Gebrauchs- und Lagerspuren. Au�en: Markierungen oder Aufkleber auf der Hülle. 39086371/3.
Published by Universal Pictures, Universal City, 1963
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless reference photograph from the 1963 film, showing director Alfred Hitchcock and screenwriter Evan Hunter walking along the pier which would be used later in the film for Melanie Daniel's (Tippi Hedren) visit to the Brenner farm, with what appears to be Hedren herself visible to the far left, in a fur coat at the end of the pier. With manuscript ink annotations on the verso. Hitchcock's last great film, a grim psychological study, made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California, including Bodega Bay, Bloomfield, Valley Ford, the Venice Canals, and Union Square in San Francisco. 10 x 8 inches. Near Fine. National Film Registry. Clover, Men, Women, and Chainsaws. Godard, Histoires du cinema.
Published by Universal Pictures, Universal City, 1963
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage borderless reference photograph from the 1963 film, showing director Alfred Hitchcock talking with electronic musician Oskar Sala, who composed the film's iconic soundtrack. Printed mimeo snipe in French affixed to the verso. Hitchcock's last great film, a grim psychological study, made all the more terrifying by the lack of motivation assigned to its violence. Shot in various locations throughout California, including Bodega Bay, Bloomfield, Valley Ford, the Venice Canals, and Union Square in San Francisco. 7.5 x 9.5 inches. Very Good plus, lightly edgeworn. National Film Registry. Clover, Men, Women, and Chainsaws. Godard, Histoire(s) du cinema.
Published by Universal Pictures, Universal City, CA, 1986
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manuscript / Paper Collectible
Archive of three title card maquettes hand lettered by Harold Adler for the 1963 film. Also included are two fascinating autograph letters, both elaborately designed and executed in a calligraphic style, from Adler to author, illustrator, and editor Fridolf Johnson relating to Adler's work with Hitchcock. Harold Adler was a calligrapher who created hand lettered titles on over 100 films, worked frequently with Alfred Hitchcock, and was a favorite of legendary title sequence designers Saul Bass and Pablo Ferro. In addition to "The Birds" (1963), his credits include "Comanche!" (1956), "The Man with the Golden Arm" (1955), "The Seven Year Itch" (1955), "Carmen Jones" (1954), "Psycho" (1960), "In the Heat of the Night" (1967), and "Justine" (1969). In 2012, an exhibition of Adler's work was organized by noted typographer and design historian Jill Bell at the American Advertising Federation, Kansas City. In the first letter, dated May 16, 1986, Adler describes, after touching on other topics, meeting Hitchcock and then presenting him with layout ideas for the titles. He then goes into detail regarding his answer to a question about the techniques of artist Eric Gill, stating that Hitchcock "was amazed" by this answer, and after that would "request 'to be sure to bring that nice you[ng] man along" (meaning Adler) whenever he had a job for Adler's firm. The second letter, dated June 10th, 1986, focuses almost exclusively on Adler's work on "The Birds," going into some detail regarding both the creative and technical processes of producing hand lettered titles for films. He also describes Hitchcock as "an unusual person to work with. He was a master at what he did, knew what he wanted [and] smoked the finest cigars." He then concludes the letter with some brief remarks on how his approach to title lettering evolved over the course of his career. The letters themselves are works of art, executed in a variety of inks in Adler's detailed penmanship, with Johnson's name on each in particular receiving full calligraphic treatment. Also included are draft title cards for the film, stylistically similar to each other, but much different from the titles used in the finished film. Two of the cards are marked as "camera ready" in manuscript colored pencil, with titles executed in white paint on black board. The third card, photo stat on black paper, which accompanied the June 10th letter, has been annotated by Adler on both the recto and verso, explaining the in more detail the technical process of putting the lettering on film. Overall, a significant collection of material illuminating a little explored aspect of film design, with a direct and significant connection to a seminal work by a director known for personally overseeing all aspects of production. Each letter 19 x 24 inches, single leaf, rectos only. May 16th letter folded twice for mailing, June 10th letter folded. Two long diagonal creases to the May 16th letter, else both are Fine. Original mailing envelope for the May 16th letter included. "Camera ready" title cards 22 x 14 inches. Lightly rubbed and about Near Fine. Third card 18 x 4 inches. Near Fine. National Film Registry. Clover, Men, Women, and Chainsaws. Godard, Histoires du cinema.