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Published by University of Washington Press, Seattle, Washington, U.S.A., 1969
ISBN 10: 0295785780ISBN 13: 9780295785783
Seller: Book Booth, Berea, OH, U.S.A.
Book
Soft Cover. Condition: Good. Text clean & bright; binding tight; minor wear to covers. 494 pages.
Published by University of Washington Press, 1969
ISBN 10: 0295785780ISBN 13: 9780295785783
Seller: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
Association Member: IOBA
Book
Paperback. Condition: Very Good. Very good paperback. Previous owner's name on front endpaper, price marked off cover. Spine is uncreased, binding tight and sturdy, text also very good.
Published by Seattle, Washington, United States of America / London, England, United Kingdom: University of Washington Press, 1969
ISBN 10: 0295785780ISBN 13: 9780295785783
Seller: Andover Books and Antiquities, Andover, MA, U.S.A.
Book
Soft cover. Condition: Good. No Jacket. on covers; yellowing, very light creasing, and touches of wear on edges.
Published by University of Washington Press, Seattle & London, 1969
ISBN 10: 0295785780ISBN 13: 9780295785783
Seller: CARDINAL BOOKS ~~ ABAC/ILAB, London -- Birr, ON, Canada
Book
Soft cover. Condition: Very Good. Softcover. Light foxing to edges of pages; light toning to covers. Some shelf wear. Otherwise clean, tight and unmarked. Size: 8vo - over 7¾ - 9¾" tall. Book.
Published by Univ of Washington Pr, Seattle, 1969
ISBN 10: 0295785780ISBN 13: 9780295785783
Seller: M & M Books, ATHENS, GA, U.S.A.
Book
Soft cover. Condition: Very Good-. No Jacket. 1969.
Published by London : Novello ; Oxford University Press, [1946], 1946
ISBN 10: 0486442756ISBN 13: 9780486442754
Seller: Joseph Valles - Books, Stockbridge, GA, U.S.A.
Book
Hardcover. Condition: Good. x, 493 pp. 19 cm. ; LCCN: 49-5608 ; OCLC: 410919 ; green cloth with dark green lettering ; greatly foxed ; front hinge shaken ; some underlining in red pencil ; covers faded ; this, the 1946 edition, corrected from the manuscript ; a seminal work in the history of the early music revival ; "One of the most influential figures in the twentieth-century revival of early music, Arnold Dolmetsch was the first to apply scholarly attention to the issue of authentic historical performance. His ground breaking 1915 study remains a landmark of musicology, offering not only a text on performance practices of the baroque but also glimpses of what music meant, both as an art and a science, to musicians of the period. Topics include tempo, rhythm, ornamentation, figured bass realization, wrist positioning and fingering, and musical instruments of the era." ; G. Book.