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Published by Harper & Brothers, 1903
Seller: Tacoma Book Center, Tacoma, WA, U.S.A.
Hardcover. Condition: Very Good. Later Edition. ISBN Hardback. First Printing. No dustjacket, bound in purple cloth with gold gilt lettering and green and white illustration of flower. Very Good Condition, with minor rubs to edges and corners of covers, some browning to edges of interior pages, slight dustsoiling to top edge of book, slight spine fade. Tight, sound, unmarked copy, except for previous owner's inscription on third free front endpaper.
Published by Harper and Brothers, New York, 1904, 1904
Condition: Good. Prompt shipment, with tracking. we ship in CLEAN SECURE BOXES NEW BOXES Spine darkened, head of spine 1 inch chip else good no dust jacket.
Published by Harper & Brothers, New York, 1903
Seller: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, U.S.A.
Association Member: IOBA
Book First Edition
Decorated Blue Cloth. Condition: Very Good +. First Edition. 251 Pp. Lavender Cloth, Stamped In Gilt, Green, Blue And White. Top Edge Gilt , Other Two Edges Are Roughly Cut. First Printing, With 1903 Date On Title Page. A Bright Copy With Slight Edge Wear. Attractive Embossed Decorated Cover. Previous Owners' Names On Free Endpaper, Else Clean And Bright Throughout. Per Wikipedia, Winnifred Eaton (August 21, 1875 ? April 8, 1954) Was A Canadian Author And Screenwriter Of Chinese-British Ancestry.[1] Publishing Prolifically Under A Number Of Names,[2] Most Predominantly, The Pseudonym Onoto Watanna, She Was One Of The First North American Writers Of Asian Descent To Publish Fiction In English. After Marrying Frank Reeve And Moving To Alberta, Eaton Continued To Write Fiction And Journalism, Mostly With An Albertan Focus. She Became Intrigued By The Financial Opportunities Offered In The Burgeoning Film Industry And Began To Write Scenarios, Or Early Screenplays, For Silent Films. After Receiving Her First Credit From Universal Studios In 1921 For The Scenario For The Silent Film False Kisses, She Left Calgary In 1924 To Work At Universal's New York City Offices. The Following Year, Universal Tapped Her To Lead Their Scenario Department In Hollywood, California. She Also Ghost-Wrote Scripts For Metro-Goldwyn-Mayer. She Is Credited On Six Films, All Produced By Universal; Her Work On Many Others Remains Uncredited.