In Blanchot a couple awaits oblivion like a date gone bad. Here there’s a threeway’s more resolute sense and direction of an ending.
Laurence A. Rickels
Author of Critique of Fantasy
Practically every other image in these poems surprises me, and the various grand statements are genuinely interesting yet skeptical of themselves. There’s a tenderness for the past here with a tone that’s droll, throwaway--a reassuring combination. Grimaldi Donahue’s vulnerability isn’t ironic or self-loathing, but it wants to have fun.
Taije Silverman
Not “endings” but fragments,
Not “fragments” but effacement
Christopher Fynsk
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