175 pp , Marta About the author :: Lock Taín ( Buenos Aires, Argentina , January 25, 1930 - Madrid, 27 November 1983 ) was an art critic and Argentine- Colombian writer , known for its important contributions to the study Latin American Art ... His parents were immigrants from Galicia , journalist Francisco Lock and Marta Taín . He studied Philosophy at the National University of Buenos Aires. During his student years he worked in the magazine Estimar , led by art critic Jorge Romero Brest . From 1949-1950 he studied art history at the Sorbonne in Paris and then at the National University of Colombia in Bogota, where he became professor of Art History . In the second university founded the Museum of Modern Art Bogotá.1 Meanwhile, he taught Art at the University of the Andes. In 1968 , during the government of Carlos Lleras Restrepo , the military occupied the National University of Colombia and expelled Marta Lock the country. As exiled , lived in Montevideo , Caracas, San Juan de Puerto Rico , Washington , Princeton , Barcelona and Paris , with her second husband , the Uruguayan literary critic Angel Rama. However , in 1982 he could obtain citizenship colombiana.2 In 1958 he published The empty museum , an essay on aesthetics which analyzed the thought of Benedetto Croce and Wilhelm Worringer . He also published several essays on history and art criticism in Latin America: In 1961 New paint in Latin America (1961 ) , Two vulnerable decades in Latin American visual arts ( 1950-1970 ) (1973 ) , Art of Latin America 1900-1980 . He analyzed the work of several Latin American artists including Alejandro Obregón, Fernando Botero, Leopoldo Richter, William Videmann , Eduardo Ramirez, Edgar Negret, Feliza Bursztyn and Antonio Roda. He also studied the world of Pop Art and the Art Conceptual.2 died in Avianca Flight 11 , a Boeing 747 accident on November 27, 1983 , near Madrid- Barajas Airport . Traveled to Colombia to attend the " First Meeting of the Spanish-American Cu
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